My Thoughts on the Long Wait for “The Winds of Winter”

After the colossal wash-rag that was season 8, people are growing steadily less patient with George R.R. Martin and his slow output. 

The newest installment of  the series, The Winds of Winter, has been in the works for nearly a decade now and people are chomping at the bit for a return to normalcy. They want to go back to a time when characters’ motivations actually made sense, dialogue was well written, and events were building up to a well-deserved climax.

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Fans after season 8

It’s obvious a book series as intricate as Game of Thrones would take a significant amount of time to create. After all, it’s hard enough as a readers to keep track of all the plot threads Martin has woven over the years, I can only imagine how difficult it would be to be the one weaving the tapestry.

Many have pointed this out in defenses of Martin, claiming fans are just being entitled brats, crying for their toys. Some have even gone so far as to write songs about it, notably John Anealio’s George R. R. Martin is Not Your Bitch. 

I, myself,  have experienced multiple creative dry-spells that have prevented me from writing. I currently have an unfinished fanfiction that has been languishing in limbo since 2018. In spite of my efforts to update, as many positive reviews have been requesting me to do, I have found it difficult to write something that will satisfy the modest readership I have accumulated over the years.

Martin experiences this same sort of pressure on an infinitely higher scale. Game of Thrones is a global phenomenon now. Not only is his creation loved by millions, he himself has become a household name. He’s become so well-known people dress as him for Halloween!

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Most writers salivate over the idea of achieving such a level of notoriety, but it comes at a cost.

Can you even conceive how monumental a task it must be to complete a series that has such far-reaching acclaim?

Having said all this, you might think I’m a Martin apologist who believes he should take however long he wants to create the best book he can possibly make. Considering how disastrous the final season was, the last thing readers want is a rushed product.

………..

But 8 years is too damn long, my guy.

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I sympathize with his situation.

But come on.

8 years?

8 years?!?!

It took Tolstoy 6 years to write War and Peace, a book over 1,200 pages long, and he had 10 children.

I can see a book this crucial to the series taking 3, or 4, or even 5 years to finish.

But not over 8. 

Martin isn’t writing Thrones in between 12-hour shifts at the sheet metal factory. Writing is his full-time job. He has been in this profession since forever.

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Look, in all seriousness, the root of the issue is he knows Game of Thrones is his magnum opus.

If he cannot deliver on the pay-off he has been building up to since 1996, he will never create anything this monolithic or culturally relevant ever again.

That is a terrifying prospect for anyone to comprehend.

But Martin knows the score. He’s been in the writing bizz longer than some of us have been alive.

The defenders are right, George R. R. Martin is not our bitch.

He is a full-grown man with complete autonomy and we shouldn’t expect him to perform for our amusement like a puppet on a string.

Nevertheless, he owes us the books he promised.

We are not greedy for holding him to his end of the bargain. 

Writing is a scary profession, especially when people start noticing you. While there are more people to listen and be inspired by your work, there are also more people to please. Fandoms, while often times accepting, can also be merciless in their critiques. Trying to placate such a large crowd is daunting.

But you have to write anyway.

Some people won’t be pleased with the way Martin wraps up the series. Unfortunately, that’s art. Some will like it, others won’t.

It doesn’t have to be perfect, it just needs to be finished.

Let’s face it, David Benioff and D.B Weiss set the bar pretty damn low.

Just about anything Martin writes has a 9/10 chance of being leaps and bounds better than that shlock of an ending the show cooked up.

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Game of Thrones: Book 1 v. Season 1

WARNING: THE FOLLOWING CONTAINS SPOILERS FOR SEASON 1 OF GAME OF THRONES AND MINOR SPOILERS FOR THE BOOKS. 

Good news! I can consider myself a good nerd now that I have finally completed the first book in the Song of Ice and Fire series.

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That being said, I have many thoughts that I am wanting to share on the subject of both the first beloved now maligned TV series and the first book in the timeless saga written by George R. R. Martin.

In this post I won’t be going into the specifics on how the book and show differ necessarily (if you’re more interested in that, then watch this video series by The Dom). Instead, I will be discussing what I think worked best between the two in terms of story-telling.

Points to the show: 

Faces to the names 

George R. R. Martin has unquestionably made one of the most intricate fantasy worlds in existence, rivalling even the likes of J.R.R Tolkien in its density. Its packed to the hilt with lore and customs and people….

….and therein lies one of the issues in Game Of Thrones.

There are too many goddamn people. 

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I tried to read the first book before I started watching the series, but dammit if I couldn’t make it. There were just too many name to remember, too many notes that had to be taken.

It didn’t help that some of the characters had similar physical attributes, making it even more difficult keeping track of who was who.

Wait…is Jorah Mormont this old, white, bald dude, or is he that other old, white, bald dude?”

Converting the written word into a visual format allowed me to put a face to the name and has made my reading experience less confusing as a result.

Cersei

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While in some ways I appreciate the characters in the book more than in the TV show, I think Cersei proves to be an exception to this rule.

Cersei is not a POV character in the first book and so we are only able to see how she interacts with other POV characters a.ka. Sansa, Tyrion, and Ned Stark. While we do get a taste of how nasty and demented she is in the novel, we don’t see her in her more vulnerable moments like we did in the show.

There’s a scene in the first season in particular where Cersei asks Robert if there was ever a chance they could have been happy, to which Robert responds with a heartbreaking “no.”I thought this scene added more emotional depth to Cersei’s character, enabling the audience to see her as something more than just a cackling villainess.

Ned Stark 

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I love Ned Stark in both the novel and in the show. However, Sean Bean’s performance brings much more warmth to the character than existed in the book. For the life of me, I can’t recall a time where Ned laughed or cracked a smile outside of the show. I’m sure it happened, but for the most part he was ever the stoic Northerner, waiting for the next conflict to arise. In the show, there are more moments of levity and he actually lets out a chuckle or two. It makes him look more approachable and gives him sort of a Mufasa-isque quality to him.

Robb and Catelyn’s Grief

In the books, we don’t see how Robb and Catelyn react to Ned’s death immediately after they receive word of it. Instead the story flashes forward to when they arrive at Riverrun, heartbroken but not quite despondent.

In the show, however, there’s a truly  tear-jerking moment where they show Robb futilely hacking away at a tree with his sword and Catelyn going over to console him, promising they will have their revenge on the Lannisters.

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It’s a really sad scene and it shows how deeply Ned’s loss has effected them.

The Music 

This one might be considered unfair because a book can’t have audible music, but it is definitely a point in the show’s favor. The composer, Ramin Djawadi, does a fantastic job of creating atmosphere with his music. I have yet to hear a soundtrack that packs such an emotional wallop. Death scenes, action scenes, emotional scenes. He can do them all.

Those cellos have me swooning every time.

Here’s a free video on Youtube that contains some of the songs from the show. I recommend you check them out here or on Spotify.

Points to the book: 

More Lore 

One of the most obvious draw-backs of visual media is time. With each episode needing to be about 45 minutes or shorter, there isn’t nearly as much freedom to explore the world. I think the show did a pretty decent job cluing in the audience as to how Westerosi society operates, nevertheless, it was always going to be at a disadvantage compared to the book.

Point of View

There are very talented actors attached to Game of Thrones, but there is no substitute for being able to crawl into a characters mind and read their thoughts. The experience of reading is just far more intimate.

In the book, we see so much more about the world and we get small but satisfying tidbits about character’s pasts that make them all the more real. I think some of my favorite inclusions are Catelyn Stark’s ruminations on growing up in Riverrun. They were touching and added more dimension to her character, really driving home how out of control everything has gotten since her youth.

She is an outsider taken to a land much colder and harder than her childhood home. Their climate is different, their customs are different, even their gods are different. Nevertheless, she finds herself having to fight for this alien culture that she has never truly understood.

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More Fantasy

The book is pretty gritty in comparison to the traditional fantasy novel, but there is more of a nihilistic atmosphere to the show than in the book. I think this makes it more palatable for the casual viewer as fantasy tends to be an acquired taste, but I personally like the more fantastical environment the book creates.

Dany’s and Bran’s dreams in particular add a level of sinisterness and foreboding that don’t land quite as successfully in the show. We are shown the dream of Dany walking to the now destroyed remnants of King’s Landing, but there are other seriously messed up things she sees in the book. As for Bran, he has a dream towards the middle of the novel wherein  he has to learn to fly while an endless pile of bones looms below him.

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I can also appreciate the characters aren’t constantly saying “fuck” in the book. It’s not that I have a problem with the word, it just takes me out of the moment. I’m pretty sure “fuck” wasn’t a word in medieval times so when it’s used with reckless abandon in the show, it’s a bit distracting.

Aging down of characters

This might be considered a weird point in the book’s favor, but hear me out. The fact that all the kids are so much younger in the book makes the events that follow all the more tragic.

Can you imagine not even being in your teens and having all your family members murdered? Or, like in Robb’s case, having to take over for you Lord Father after he is held hostage and having thousands of people depending on you to be their leader?

To me, the aging down of the characters drives home the underlying premise of the novel: When we seek to destroy each other, we are also destroying our future a.k.a our children.

Conclusion:

So which do I think is better: the book or the TV show?

I think I’m going to give a cop-out answer and say I don’t know.

There are things I believe the TV show did better and things I believe the book did more effectively. Most of the shortcomings of either are due to their respective mediums and not necessarily a result of incompetence on either side…..

That won’t come until much later.

Normally, I can’t read the book after seeing a film or watching a TV show based on it, however, I don’t believe my having seen the show beforehand hampered my ability to enjoy the book series. In fact, the opposite is true.

So if you haven’t read the books but have seen the TV series, I recommend giving the books a read anyway. There are very well written and will hold your interest regardless if you know what will happen later on.