Unpopular Opinion: Peter Rabbit and the Food Allergy Controversy

Disclaimer: I have not seen, nor do I plan on seeing Peter Rabbit. My opinions are entirely based off of information I obtained from reading articles online detailing the scene and it’s execution (no pun intended). If you have seen the movie yourself and would care to share your opinion on how this particular instance was portrayed in the article I have linked in this blog post, please feel free to do so and correct any misconceptions I may have. 

I never thought I would write about Sony’s ‘Peter Rabbit’ movie simply because nothing about it intrigues me. It seems like just another paltry cash-grab from the perpetually idea-starved Hollywood. The jokes are flat, the demeanors of the rabbits are nothing like their book counterparts, and it is doubtful the production team have any interest in giving the classic story the dignity it deserves.

And yet here I am writing about it, not in order to give my opinion on the film itself as I still have no desire to watch James Corden and his ilk leave rabbit pellets on my childhood, but to give my two cents on the latest controversy.

Yep, that’s right.

A movie about Peter frigging Rabbit has a controversy. 

One revolving around a scene that transpired between the bunnies and Mr. McGregor.

“A human character named Tom McGregor is allergic to blackberries. In a quest to gain access to his garden, rabbits pelt him with fruits and vegetables before using a slingshot to send a blackberry flying into his mouth. It works. Mr. McGregor struggles to inject himself with an EpiPen and then has anaphalaxis and collapses”

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And, for once, I can sort of get behind the whole outrage machine. I should likely reserve judgement until I’ve seen the film myself,  however from what I’ve read it seems pretty clear.

Peter Rabbit is a a goddamn psychopath.

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He essentially tried to murder a man onscreen.

Of course people are angry about this. It makes complete sense why so many would want to see this pulled out of cinemas. If I was a parent, I-

“I’m pretty sure Beatrix Potter will be turning in her grave about now,” Ms. Rose, who lives outside Guildford in Surrey, England, said in an interview on Facebook Messenger. “Allergies are often not taken seriously enough anyway. To have them trivialized on the big screen by such a popular character is immensely disappointing.”

….Wait…what?

Mr. Mendez said in an open letter to the moviemakers that they should not mock food allergies, which are often life-threatening.

“Making light of this condition hurts our members because it encourages the public not to take the risk of allergic reactions seriously, and this cavalier attitude may make them act in ways that could put an allergic person in danger,” it said.

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So let me get this straight….people aren’t angry that a beloved bunny from a timeless classic tried to commit homicide to raucous applause by his peers. They are mad because it trivializes food allergies…..

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THAT is what you took from that scene? Not the fact that it grotesquely depicts a man’s air passages slowly constricting until he collapses from lack of oxygen and is presumed dead?

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The would-be murderer in question

An adorable bunny in a blue waistcoat with an English accent attempted first-degree murder in a kid’s film and it’s portrayed as a joke! Get some perspective!

Would you feel better if he’d used a garden hoe to decapitate McGregor, or would that be offensive to the children of impoverished farmers?

Seriously, it doesn’t surprise me so much what offends people so much as why it offends them.

People being white middle-class women with a “can I speak to your manager?” haircut.

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I understand food allergies should be taken seriously and to be complacent with a sufferer’s diet could have disastrous consequences. Nonetheless, the way these women carry on about people with food allergies make it sound like they’re some sort of protected class that has endured centuries of persecution.

Was there a food allergy holocaust I wasn’t aware of?

Were children with food allergies sent to do slave labor in peanut butter factories until they swelled up like Viola Beaugarde?

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I realize I’m being flippant here, but it just fascinates me that people can stray so far from the point. They have something they could be justified in having a problem with, and they focus more on the method in which the attempted murder was carried out than the fact that a murder was attempted at all.

Or at the very least they could make an argument that what he did was very mean-spirited and shouldn’t be praised as being funny. That line of thinking actually makes sense and argues that it’s teaching kids to be dicks to one another. At least that’s a somewhat reasonable claim.

But nope, it’s aaaaall about the food.

There’s even a hashtag circulating meant to bring awareness to food allergies as a result of this film.

Look, we get it. Food allergies are serious. But not everything needs an awareness campaign.

Yes, they made light of something horrible and I would argue that it may have been misplaced in a kid’s film.

However, if you’re that worried about it, I don’t know, maybe talk to your children about it instead of getting into fights with random strangers on the internet.

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At the end of the day, it’s just another pointless cog (or hashtag) in the outrage machine. We can only pray that this movie scandal, like many before it, will be quickly overlooked in favor of another overblown whine-fest courtesy of the maternal internet users of the Western World.

Article: Sony Apologizes for ‘Peter Rabbit’ Movie’s Allergy Scene by Jacey Fortin

Damn you, Outlander Series: Thoughts on A Dragonfly in Amber

WARNING: POST CONTAINS SPOILERS FOR THE SECOND BOOK IN THE OUTLANDER SERIES, A DRAGONFLY IN AMBER. READ AT YOUR OWN DISCRETION. 

My relationship with the Outlander series so far is mired by indecision.

There’s so much to adore about these books: the remarkable characters, the rich descriptions, the sexy-fun times, the action-packed storyline that constantly keeps you on your toes.

However, there are also problems with it as well. Problems that are often very difficult to overlook.

For example, the distinct lack of plot that seems to dog each story from the get-go.  Plenty of things happen, mind you, and there is conflict for days. Nonetheless, it just doesn’t always feel as if it is working towards something.

It’ll give A Dragonfly in Amber some credit in that it is a lot better than it’s predecessor at having some direction. The Frasers’ plan to stop Bonnie Prince Charlie’s rebellion counts as a plot…I suppose. Unfortunately, it’s often thrown by the wayside in favor of entertaining weird diversions that have nothing to do with anything. Hell, you could make trading cards out of all the pointless interludes these books dole out: random sword fights, Jamie being dared to piss into a bucket but then being unable to after suffering a trampling by a horse, some argument between Jamie and Claire about him getting horny over some hookers.

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Oh, speaking of Clarice and Jamie.

To add to my list of grievances, there is one exchange between Claire and Jamie that’s a bit too Freud-like for my taste. At one point, Clarice mentions to Jamie that she wishes she could –I’m not making this up, I swear– put him in her womb to keep him safe. 

Let me repeat that:

Claire wanted to put her grown, adult husband inside of her womb to keep him safe.

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Um… I haven’t had an overwhelming amount of romantic entanglements in my life, but that does not seem like a normal compulsion for someone to have. Especially not a compulsion that the layman would voice out loud to anyone for any reason ever.

Not to mention Jamie’s reaction to it is fondness bordering on indifference. Look, I know you’re used to her saying weird shit to you, what with her being a time-traveler and all, but that has to give you some pause, doesn’t it?

Pretty much any  sentence that could be formed in the english language would be less awkward than that one. If she said she wanted to shrink him and put him in her pocket that would be kind of cute. But her womb? Her baby-holder? Her Dutch oven? She wants actually put him in-

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It doesn’t help that they shared a quasi-incestuous moment in the previous novel. When Claire is trying to snap him out of his rape-induced depression, he literally calls her “mother” and she encourages him to come to her bosom and-

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Okay, moving on.

So, Captain Randall should be renamed Captain McGuffin as his only function seems to be to get things rolling again once the story has become stale.

No, really, he shows up everywhere they go: France, Scotland, your closet. I know he’s important since he’s the great-great grandaddy of Claire’s husband, but come on.

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What are the actual odds? They could be sitting on a park bench feeding the birds and all of the sudden weeeep a Wild Randall appears!

Randall uses Creep Attack.

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It’s super-effective!

Bearing all of this in mind, what nice things do I have to say about this book? Well, it kept me guessing, I suppose. Although I already knew they would lose the battle, you know, because the story began with Claire in the future having already been through-

Okay, good things dammit.

Claire’s reactions seemed quite a bit more realistic in this book than in Outlander. When she and a friend are set upon by rapists, she has a breakdown and doesn’t just shrug it off and shag her husband like she did in Outlander. There’s also a reference to when she murdered a 15 year-old soldier who was just trying to do his job, which had previously gone unobserved until this book. I found it pretty disturbing it hadn’t gotten much of a mention before since, you know, she committed murder of a child.

Uh….in spite of the many distractions, the pacing overall was a lot snappier than the previous novel and from the beginning it jumped right into the action instead of lolly-gagging around forever.

As usual, Jamie is wonderful in every way as is his inability to understand modern beauty standards such as waxing your private parts.

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The chemistry between the two main characters continues to be engaging and a joy to read about (at least when they aren’t going full Oedipus on us, that is). Truth be told, I think the story shines the brightest when it’s focusing on their relationship with each other. I appreciate the Bonnie Prince story line for giving these stories a reason to exist, nevertheless, I never found it as enjoyable as reading Claire and Jamie simply being in each other’s company.

Another point in this book’s favor is that Gabaldon doesn’t particularly romanticize the past (apart from, well, the actual romance, of course.) She is unflinching when it comes to describing the horrible living conditions and bleakness that comes with 18th century living. It’s not all fancy dresses and handsome heroes. There’s a sinisterness and hopelessness about it as well. I also appreciate the fact that none of her characters necessarily make it out unscathed. When they aren’t being raped (which happens quite often) they are being tortured, or captured, or dying. The pain they feel is quite real and, unlike in the first novel, isn’t glossed over as much.

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I was afraid after reading the ending of the first book that the horrible torture Jamie experienced at the hands of Captain Jack Randall was going to be brushed under the rug, however, I was pleased to learn that this was not so. Jamie’s experiences still haunt him and has a visible impact on who he is as a person. I’m grateful that his rape had a lasting effect and wasn’t just used as a plot devise to create more tension.

I loved that more of Clarie’s psyche was explored in this novel. In fact, the dream she had about being in Frank’s classroom while he was lecturing may have been my favorite part of the entire book, oddly enough. It just made her seem more three-dimensional as we don’t often hear that much about her past aside from the odd parcel about being raised by her uncle and such. I would actually be interested in reading a chapter or two dedicated to describing a scene that occurred in her formative years or during the War. We get a snippet here or there, but I’m always left hungry for more. We hear quite a bit about Jamie’s past, but not that much of Claire’s.

Overall, I enjoyed reading A Dragonfly in Amber even as I mentally criticized it. There’s just something about Gabaldon’s writing that sucks you in.

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I told myself in the past that I was going to give up on this series, but I don’t think I can bring myself to do so. Maybe it’s the romance, the fascinating historical backdrop, the characters, or Jamie’s sexiness. I don’t know, but whatever foibles this series may have, it’s still a damn enjoyable story and I don’t believe it will be long before I begin the next one.

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The Most Beautifully Awful Writing Advice Ever

Recently I was introduced to a gorgeous poem by the late Charles Bukowski called “so you want to be a writer?”

Here’s a small exert:

if it doesn’t come bursting out of you
in spite of everything,
don’t do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don’t do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don’t do it.
if you’re doing it for money or
fame,
don’t do it.
if you’re doing it because you want
women in your bed,
don’t do it.
if you have to sit there and
rewrite it again and again,
don’t do it.
if it’s hard work just thinking about doing it,
don’t do it.

You can read the poem in it’s entirety here of you could listen to a reading of it here.

It’s beautiful, right? Inspiring, powerful—something you would want to make a wall decal out of to impress your friends at dinner parties.

It’s also very, very, very, very, very, very wrong.

In fact, it’s difficult to recall anything that I’ve read that has been so astronomically wrong about writing.

Don’t misunderstand me, when he’s talking about writing for fame and fortune and sex he’s totally on the mark. Precious few writers reach the level of world-wide recognition and if you only want to write for accolades then you clearly don’t have what it takes to succeed in this craft. However, he also says–

“if you have to sit there and rewrite it again and again/don’t do it”

and

“if it’s hard work just thinking about doing it/don’t do it.

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Uhhhh….I don’t know a single solitary person, good writer or bad, who does not struggle with sitting down and writing.

I also do not know a single solitary person who has never had to suffer through a rewrite.

You know, because first drafts are dumpster fires of confusion and poor grammar.

For those of you who are fans of Charles Bukowski , did he not rewrite any of his poetry? My education on the man is lacking so that’s entirely possible. Nevertheless, if it’s true that he didn’t then he is an anomaly.

His poem goes on to say that a person should wait until the fires of passion are so hot  they have no choice but to let them out before writing something.

“if you have to wait for it to roar out of you, then wait patiently/ if it never does roar out of you, do something else.”

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I have had moments where the desire to write something was so powerful that I felt like the story was literally trying to push its way out of me, but I’ll be the first to admit that these moments are few and far between.

If you wait until you feel as if you physically have no choice but to write something, odds are you will never finish anything.

The Inspiration Fairy is a very fickle creature and will oftentimes screw off at random, leaving you with no will to go on.

My favorite quote about inspiration goes as follows “I only write when inspiration strikes. Fortunately, it strikes every morning at nine o’clock sharp.”

Courting inspiration is a lot like trying to find a significant other. You can’t just sit around and wait for someone to notice you.

I have found that the best way to attract inspiration is to have a set amount of time each day to write. Believe it or not, the more you write the more inspiration is likely to show up. There have been months where I have struggled to produce anything; however, once I made the decision to write for at least an hour every day, writing started to become less of a drag.

I found myself feeling more and more motivated and my writing began to suck a little bit less.

Better yet I actually started to finish things I started.

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Did that mean I never struggle? Hell no. I’m struggling right now, to be honest. But that doesn’t mean I shouldn’t do it.

Same goes for you.

Struggling isn’t a sign you should quit, it’s simply a byproduct of trying.

And if you aren’t interested in trying then, and only then, would I say–

Don’t do it.

Thoughts on “The Terror” by Dan Simmons

WARNING: CONTAINS MILD TO SIGNIFICANT SPOILERS FOR THE BOOK. 

The Terror and her flagship, Erebus, are stranded in the arctic.

Their food source is contaminated.

Sickness is rampant.

Their ships have been ravaged by ice.

And no rescue is expected.

…….Oh, and, also, there’s an immortal polar bear demon that can only be appeased by allowing it or someone else to play another human’s vocal cords like a flute.

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What I liked: 

The characters. I thought Simmons did a pretty stellar job distinguishing between each crew member which is saying quite a bit considering how many characters there are in this thing. As someone who often struggles with remembering who is who in most stories (another reason why I have yet to actually read the Game of Thrones series) his repetition when describing each character and their physical features and rank was very much appreciated. While many other characters could have used a bit more development, I believe he did a good job of making them come alive, especially Crozier, the Captain of The Terror and Erebus‘s Goodsir, the anatomist who remains one of my favorite characters.

The attention to detail. It’s obvious that Simmons did a lot of research with this piece from boat geography, to describing an arctic landscape without just using the word “ice” over and over again, to the ranking system. It’s impressive to read. You actually feel like you’re there, freezing along with them. Before reading this book I had no idea how awful scurvy really is, not to mention the other illnesses the crew had to suffer through. And make no mistake, this book does not skimp out on the gross details or give the dying any sort of dignity. It reports on how they crapped themselves, screamed, bled and farted. While this can be tedious to read it does a fantastic job of conveying the pure hopelessness of their situation which made this piece all the more engrossing.

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Historically accurate attitudes. While it is a bit cringy reading bits where characters go on racist or homophobic diatribes, at the very least I can say that it is historically accurate for that time period and I’m glad Simmons didn’t try to politically correct the characters in order to make them more sympathetic or likable.

Crozier’s second sight. While I didn’t think all of his visions were strictly necessary I loved the reoccurring dream he had where he is forced to partake in communion with his eccentric grandmother. It painted a perfect picture of what was to come and provided the audience with beautifully creepy imagery.

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The surprise ending. I admit I nearly quit reading this book because of the sheer hopelessness of it all. I knew that it real life none of the crewmen survived so watching them furtively cling to life in what essentially would be an exercise in futility seemed like a chore. However, I didn’t give Simmons nearly enough credit and he ended things on a note I had not expected.  Turns out my favorite character, Captain Crozier, survived after all and made a family amongst the natives.

What I didn’t like: 

It’s too damn long. I’m not opposed to slow burns, but this book went on waaaaaay longer than it needed to. I, personally, think they could have cut out maybe 100 to 200 pages or so and it would have been just fine. I actually thought about giving up on this book just because it was such an uphill climb.

Not enough monster. At a certain point in the books, after the crews decided to abandon their ships and go it alone, the monster attacks just…stop basically. And for no discernible reason. I guess it’s because the story would be over with too quickly? I’m not sure but it’s absence is sorely missed and hard to explain. In fact the monster more often than not appears as a sort of McGuffin. If you look at the story itself you wonder if the book even needs a monster at all. It’s not as if the crew didn’t have enough problems already. I mentioned the starvation, the intolerable atmosphere and the spread of illness. Then again, I did like the creature and the mythos surrounding it so I guess I can excuse it.

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Some of the character perspectives are pointless. Not many of them, you understand, but I’m still trying to figure out where Simmons was going for when he wrote the part where one of the oldest shiphand was talking to a former lover of his about the chances of rescue and Darwin and whatnot. It wasn’t a badly written scene or anything, I just don’t see why it needed to be there. Especially when neither of the characters present for that scene had that much of a part to play in the grand scheme of things.

Overall opinion: 

So, in spite of this book’s foibles, I did enjoy it quite a bit and even consider it one of my favorites now. I’m hoping to sample more of Simmons’ work in the future and hope his other pieces are just as entertaining as this one.

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Once Upon A Time: How The Dark Curse Made Everyone’s Lives Better

WARNING: THE FOLLOWING CONTAINS MILD SPOILERS FOR ABC’S ONCE UPON A TIME. 

Ah…Once Upon a Time….a show once so wondrous and imaginative now a collection of overused tropes and timeline retcons.

I remember back in the day when I was first introduced to this show and how much I enjoyed the colorful characters, the intriguing plot lines, and the level of heart that went into the making of this show.

However, now that I look back on it there is something that wasn’t quite right with the premise from the off.

For those of you who don’t know, Once Upon A Time is about story-book characters who are ripped from the pages of their fairytales by the Evil Queen from Snow White and placed into “our world” where they live in complete obliviousness as to whom they used to be. Only the world-weary daughter of Snow White and Prince Charming can break the curse and restore everyone’s memories.

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Now, it’s an interesting concept and, arguably, season 1 has the best plot. However, there is one issue with it that has bugged me about it for years: The curse itself.

Taking into account nobody remembers their past triumphs this seems like a good curse, right? Regina is large and in charge with everyone under her thumb and the Charmings are kept apart.

This was totally a good plan, wasn’t it?

Uh…..no…..not really.

Here’s the thing: While Regina took away a lot of things, she gave them so much more.

1. The townsfolk now have access to modern medicine. From what little we’ve seen of The Enchanted Forest, it seems like they were mostly dependent upon shamans and midwives for their healthcare. Sure, some of the higher-born characters likely had physicians to attend to them but the peasants would have appealed to someone like Rumplestiltskin to end their suffering, and, as the imp is fond of saying “magic always comes with a price.” Even if he did end their woes temporarily it is very likely it would come at the cost of something (or someone) very valuable to them.

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Without the curse many townsfolk would have died in childbirth or any other illness but now that they live in a modern world with a fully-operational hospital that likelihood has been drastically reduced. Thanks, Regina.

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2. Electricity and other modern appliances. No more chopping down firewood in the dead of winter or broiling in the summer heat. I can’t even imagine how many house fires have been avoided because of the lack of unattended candles or poorly doused furnaces.

Electricity allows for so much like communication, entertainment that doesn’t involve watching people being executed, and much faster methods of producing food.

That’s only the tip of the iceberg. Activities that used to take people weeks to do now take a matter of hours or even minutes. They now have machines that do the clothes washing for them. They have horseless carriages to tote them around. They have leisure time which, back in the middle ages, was considered unheard of.

Also, indoor plumbing.

Need I say more?

3. Access to supermarkets and fresh food. Hunting can result in a lot of deaths. Back in the day you often ran the risk of becoming lost, being shot by an errant arrow, or even being gored by the very creature you were hoping to make your prey. However, thanks to Regina, the townsfolk no longer have to concern themselves with this. Now they can simply go to the store and purchase it at a reasonable price. As an added bonus, they no longer have to worry about famine or plague destroying their crops which would have lead to their deaths in The Enchanted Forest.

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4. They have free public education. There’s no question that public education has it’s foibles, but just consider how much of a boon it is for society. It’s difficult for us to comprehend now, but there was a time when more than half of the population couldn’t even read and that was considered the norm. Without Regina’s curse, most of these people probably wouldn’t have had anything more than a first grade education, if that. Most of them would have been relegated to working on the farm/mill/shop until the day they dropped with no hope of bettering their circumstances without the aid of magic.

That brings us to our final point.

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5. No more magic. Emma can attest to the fact that the world is a hard and painful place even without spells or cantrips. However, once you add magic into the equation, the amount of suffering you can put someone through is limited only by your imagination. Ruby murdered her own boyfriend as a result of her magical condition that turns her into a werewolf, Geppetto’s parents were turned into puppets, Ursula had her singing voice taken away, Merlin was stuck as a tree for hundreds of years, and these are only a handful of examples. Magic seems to be the main cause of strife for many of our protagonists and Regina essentially “trapped” them in a world without it. How is that bad for anyone besides Regina?

I know some people may argue that Regina made them forget their loved ones, which is obviously a bad thing, but here’s the issue: they didn’t know they had forgotten them. It’s like torturing someone but then having them drink a memory potion to forget what they have been through. What is the point?

She didn’t curse them.

She gave them 1st world problems.

Honestly, I could go on and on about all the benefits that come with living in a modern society, nevertheless, I think I’ve made my point.

Regina is officially the unsung hero of Once Upon A Time and may have saved everyone’s lives long before she made the journey to the good side.

So bow down, peasants, before your true Savior.

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And don’t forget to eat your apples.

TL;DR: The Problem With Big Books

This may make me sound like a traitor to readers everywhere, but I am generally not a fan of big books, specifically ones that exceed 450 pages in length.

That’s not to say I don’t like any large books. One of my favorite books of all time, Gone With The Wind, is nearly 1,000 pages long. However, in recent years, it seems to me most of the thicker novels I’ve suffered through have been long purely for the sake of being long.

Unfortunately, I believe I know the reason for this.

Across the literary community, there is this presumption that if a book is large and takes ages to read then said book is deep and important and the reader should take it seriously. After all, so many classical works of literature boast a heavy word count.

“Why use one word when you can use twenty, my good man?” say the classic writers, smoking their pipes and not raising their ten plus children. “Why not add in a stock character and detail their entire lives even though they will ultimately have no baring on the plot whatsoever?”

I’m not saying I’m incapable of being patient and waiting it out, but you got to give me something book.

Don’t string me along for 300 plus pages just because I’ve become invested enough in the plot and characters to wait.

Don’t put in pages worth of padding just so you can disappoint me with a predictable twist and cardboard villains.

One of the most aggravating reads I’ve ever sat through was The Map of Time by Felix J. Palma, a hefty 720 page monster that took me over a month to finish. I stayed with it for so long because it had an excellent premise which the author got to…eventually. But in the meantime the reader had to slog through hundreds of pages of extraneous material that had no impact on the story at all.

Honestly, I have no idea how it got past an editor’s red pen of doom. The main character doesn’t even show up until the novel is almost halfway over. How do you even get away with that?!

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Then there was The Magus by John Fowles which was the most dense, pretentious, and mind-numbingly dull book I’ve ever read. Getting past the annoyingly self-congratulating attitudes of the main characters, the readers is subjected to page upon page of backstory that can be summed up in a paragraph or two.

(Sidenote: If you’re having difficulty sleeping, listen to the audiobook for The Magus on Youtube. I haven’t slept this heavily in years.)

That’s not to say a story should never be long, but there has to be some criteria, wouldn’t you agree?

I’ll answer my own rhetorical question with a non-rhetorical yes.

Here are a handful of justifications for writing a large novel:

  1. It takes place over the course of many years/months.
  2. There are multiple characters whose prospectives help increase the depth and overall quality of the story.
  3.  The story requires time devoted to explaining the world and how it operates to further engross the reader and create a feeling of realness.
  4. Extra time is needed to tie up loose ends.
  5. It is creating an atmosphere that will help with the climax’s pay-off.

If none of the reasons above are applicable, then I have no interest in reading it. I’m sorry, but there are hundreds of books out there that I could be enjoying and I don’t want to waste my time with a story that just wants to meander on forever.

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Unpopular Opinion: Outrage Culture Conditioned Me To Not Care About Anything

Just as a heads up, this is as close to addressing political issues as I am likely to get on this blog outside of discussions involving freedom of expression. The only reason I’m even bothering typing up this post is because, as bloggers, may of us have lives that are saturated by media.

Hell, most writers in general have pretty strong ties to the internet so, in a way, it is in keeping with my niche audience.

If you squint.

Getting to the point:

This may be more of a reflection of me and my grown (or degradation depending on how you look at it) as a person, but I’ve found myself becoming so overwhelmed by lists of people I’m supposed to be angry with that it’s difficult to muster the same type of emotion.

Every other day, Twitter tallies up an extensive list of people we are supposed to hate now. Jennifer Lawrence rubbed her butt on an idol, some comedian said Donald Trump may not actually be Hitler, someone called someone a bad name in the heat of the moment.

The next morning, HuffPo and various other media outlets are writing detailed, peer-reviewed articles about why this person needs to wear a crown of thorns and carry the instrument of their execution on their backs while we throw rotten tomatoes at them.

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At first, I was game. If someone calls a woman a whore on a podcast, they should be fired. If a man sends a tweet with sexual overtones that person should be called out….but this has gone on for weeks…months….years even.

And it has to be said, you guys, I can only hate a person I’ve never met so much. I have a finite amount energy to give towards anyone I will likely never encounter in my entire existence.

There are so many people in this world that I want to save my hatred for: people who don’t use their turn signals, that cashier that always tries to make me sign up for a rewards card whenever I go shopping, people on Medicare, etc.

I am not a negative person so I only have so much scorn to give. I don’t have the energy to waste it on people who, at the end of the day, did things that are, by and large, inconsequential in the grand scheme of things.

I know what outrage culture is designed to do. It’s meant to weed out people who defy social norms and try to force them through public shaming to be a better person.

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However, what outrage culture doesn’t take into account is that people are highly adaptable. If you expose them enough times to something, they stop caring about it as much. It’s like violence in various forms of media. While it doesn’t necessarily make us more violent as people, it does desensitize us to viewing it.

It seems to be the same for outrageous behavior.

A few days ago, Youtuber and self-made millionaire PewDiePie said the n-word on one of his live-streams and nobody seems to care. Sure, a few people have made videos on it either reprimanding him or defending his speech as a “mere slip of the tongue”, nevertheless, this sort of remark would normally have people screaming from the rafters. However, it didn’t make nearly as much of an impact as it should have.

Many will likely credit this as a product of the rise of “white supremacy” in America, but I think it has more to do with the rise of outrage culture.

I think the general population are just bored of it at this point.

Myself included.

It’s not for want of trying, you understand. I read and reread articles, watch and analyze video clips, trying in desperation to feel even a tingling of rage. Nevertheless, I can’t muster up the same feelings of indignation that used to be part of my daily internet experience.

There are still people who are willing to fight the good fight from behind their desktops, adding their tweets to the pile of those declaring their outrage at (insert name here) for doing (insert activity here). But many of us have grown weary of this cycle and it is a cycle as it follows the same predictable pattern each time. The offender is shamed, the offender apologizes, the accusers don’t accept the apology and continue a smear campaign, right up until the event is no longer timely and everyone stops giving a crap.

Then it’s on to the next poor sod convicted of wrong-think.

Sometimes the outrage is reasonable and justified, sometimes it’s not.

Regardless, I think it will take some time before I will be able to hate again.

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Unpopular Opinion: “Death Note” The Netflix Film Wasn’t THAT Bad

I know everyone is in shock about this but Netflix created a live-action film adaptation of beloved anime series and manga Death Note….and it was not well received.

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It was weird, it was convoluted, and it completely fell apart at the seams.

…….but….

I don’t think it’s nearly as bad as people think it is.

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Okay! Okay! Calm down! I never said it was good. It was far from good. It was a colossal disaster as a film as well as an adaptation. Things were unnecessarily added, the crux of the story was taken away, and characters were butchered for the sake of “plot” *coughLcough*

But here’s the weird thing….

I actually think this film could have been salvageable if they had done but one thing:

Get as far away as the original source material as possible.

Yeah. Okay, so that seems like it defeats the purpose of making an adaptation doesn’t it? Well, here’s the thing.

Any attempt at making an anime is going to be dead on arrival as the expectations for anime and live-action film are completely different.

Anime works based on its own convoluted logic and the translation of that to screen is…not a smooth one. Most movie watchers go into film with a certain level of expectation. They want what they are seeing to make sense.

Anime has it’s own rules in that it has no rules. Very often times certain plot points, physics, and general progression do not make sense. Anime is like a fever dream and, generally, it tries to appeal more to a person’s emotions rather than their intellect. Or, at least that’s been my experience.

Going back to adapting Death Note, I noticed something rather peculiar about this film. That being the farther they got from the original source material, the better the movie became.

Not good. Just…better.

I’m not talking about Light being your stereotypical bullied kid or the weird stylistic feel this film has, or whatever the hell happened to L.

I mean when they focused more on the psychology of the person wielding the Death Note. As someone who really enjoyed Death Note when it first came out and spent hours in bookstores reading the manga, what held my interest wasn’t Light’s character, it was the game of cat-and-mouse between him and L.

I don’t dislike Light as a character there just…isn’t much to him outside of being Kira. He was never your average kid. He was a super genius that was bored with his life because he was so much better than everyone at everything.

I know I’ll aggravate a lot of people by saying this but…he was essentially an Evil Gary-Stu.

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With the Light for Netflix’s Death Note, we were able to see how the Death Note could affect a normal, down-to-earth person. Rather than see him go from being a bored genius to Wrathful Death God in 2.4 seconds, we actually saw some character progression.

It isn’t until the final leg of the movie that he truly turns into the evil genius puppet master that we all know and love.

I have to say that when the focus was on the power struggle between Light and his girlfriend Mia (Misa in the manga/anime), it was actually pretty interesting.

Rather than being a total air-headed bimbo like she has been in other incarnations, Misa is the instigator. She’s the one that constantly manipulates Light and tries to make him go further and further. Considering how annoying I always found Misa, I thought this was a welcome change. They work off of each other rather than Mia just being a pawn in Light’s game.

That being said, they should have scrapped the idea of making this an adaptation of the original Death Note. What they should have done was create this in the world of Death Note following the fall of Kira. Don’t toy with the characters from the original anime. Just get a cast of all new characters. Hell, you changed them so their bordering on unrecognizable anyway. Might as well go that extra step.

We would be able to forgo the annoying white-washing aspect of this as well.

The concept of the Death Note is a fascinating one and it could work outside of Light’s story arc. Like I said, I personally find it far more interesting to see how a normal teenager, one whose sense of justice is underdeveloped due to his age, would react to being given ultimate power.

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What are the ethical implications of killing criminals? How does having that level of power effect a normal individual?

Here’s how I would have written it if I had been given the script:

A normal, albeit troubled, teenage boy stumbles across a Death Note and discovers, through the power of experimentation, that he is able to control when and how people die. The rules are self-explanatory and written down in the book so he doesn’t need a Death God explaining to him how it goes.

The police are growing a bit suspicious about the deaths, but only one detective in particular seems to believe the deaths are actually linked.

In the meantime the MC’s confidence in himself begins to grown and he is able to win the heart of one of his classmates. Through their courtship, he learns that she has been the victim of a crime and he decides to give her the option of taking the perpetrator’s life.

She uses the Death Note and she is able to witness herself how the instrument of death works. They decide from that point forward that they will work together in order to make the world a better place. They begin slow, but inevitably events snowball. The pair become bolder in their actions and the police are made aware that something is amiss and are able to link it to a series of murders that took place in Japan years ago.

The game becomes all the more intricate and the couple find themselves doing things such as killing innocents and engaging in other illegal activities in order to continue on being gods of what they hope to be their brave new world.

That’s just one idea. There’s really a ton of things you could do with the concept of a Death Note.

So..no..this was not a good movie. Not by a long shot. Nevertheless, I didn’t hate it as much as I expected to.

It’s like Kenny Rogers said “the secret is knowing what to throw away and knowing what to keep.”

And, unfortunately, the team behind this flop didn’t seem to know either of these things.

How Drake and Josh Are Destroying My Novel

I never thought procrastination would be so simple, but I found a way.

I found a way.

I set out  working on chapter seven of my story and somehow found myself plunging into the ether of pop culture sludge.

For literally no reason at all, I began looking into the Drake and Josh controversy.

In case you don’t know what I’m talking about, Drake Bell found out Josh Peck was getting married via social media instead of through the man himself. Outraged that he wasn’t contacted about it, Drake immediately lapsed into insanity and began berating Josh through Twitter instead of….you know…actually talking to the guy.

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Naturally, the internet led the charge against Josh, decrying him for committing such a treacherous act against his on-screen brother and real life bff. How dare he not invite his “brotha” to such a momentous occasion? Didn’t he realize we’re all watching him?

Memes were created as effigies against the traitor. His Facebook and Twitter feed were bombarded with hateful comments.

Good news: it appears they have since made up as evidenced by a recently posted vlog by Josh Peck.

Bad news: I apparently care about this sh*t.

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I loved Drake and Josh as a kid, but they are real people with real lives that are none of my business. Why did I take it upon myself to do research on this subject? Why do I care so much about people I will never meet and (in spite of giving me a few hours worth of laughs) really didn’t contribute that much to my life?

It’s amazing the mental gymnastics I will do just to avoid a rough writing session. That’s really what it comes down to: Not wanting to write a difficult chapter

And my mind will do anything–question anything—if it gets me off the hook.

I don’t even want to talk about all the WatchMojo videos I’ve watched in an attempt to drain my evening of writing time.

Oh crap, I just spent three hours watching clips from Carrie and analyzing how Sissy Spacek’s portrayal of the main character was much better than the one from the 2013 movie. 

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Look at those dead eyes! 

Oh well. Guess I don’t have time to write now. 

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Then I lie awake it bed, feeling hopelessly guilty that I thwarted what few hours I have on this earth watching crappy five minutes videos, caught in my own web of self-defeatism, when I could be contributing to the ever-growing nest of culture that is the arts and humanities.

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It doesn’t matter how many cups of coffee I throw back or how much atmospheric music I play, even Enya can’t save me from my bad habits so pervasive in my mind that they have decided to colonize as many lobes as possible.

All I can hope for is that, eventually, I will strike the right cord. The chapter I am currently working on I have rewritten about sixteen times. No hyperbole.

However, I’ve decided (for the fourth week in a row) that this will be my weekend. This will be the week that I finish that damn chapter. This time I won’t be distracted by WatchMojo or watch the Stephen King It trailer for the twentieth time even though I despise remakes and, after closer examination, have almost no desire to see it.

I suppose there is nothing for it.

All I can do is look my story dead in the eye and say…

Eh…maybe next week.

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My Emotionally Abusive Relationship with Daphne Du Maurier

I can say with unshakeable certainty that Rebecca is one of the best horror novels I’ve ever read. It wasn’t an action-packed gore-fest like many books of the same genre, but in my mind that’s what makes it one of the greats.

It’s a British novel positively dripping with atmosphere and dramatic tension with an excellent pay-off.

It’s for this reason that I’ve found many other of Du Maurier’s works to be…less than stellar.

After reading Rebecca, I thought I had discovered an unsung hero of classic literature. Why had I gone so many years without knowing who Daphne Du Maurier is? Why had I been deprived of knowing her name?

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I looked farther into her works and rejoiced to find My Cousin Rachel, a novel that promised more atmospheric English countrysides, three-dimensional characters, an intriguing storyline and a gut-punch ending…..

Well, three out of four isn’t bad….

You see, the more you read Daphne Du Maurier, the more it seems that you run into this problem. The woman can write. She is a wonder at creating haunting environments, interesting characters and working up mysteries.

The problem is, more often than not, her endings tend to be woefully underwhelming. And when they aren’t, they’re just frigging weird.

One such example is Don’t Look Now wherein a couple that has just lost their child decide to go on holiday to Italy. While there they meet a pair of elderly twins, one of which purports to be psychic and prophesies doom for John, the main character. Well, the story keeps you on the tips of your toes in true Du Maurier fashion. Red-herring after red-herring is thrown at you, Then…the climax and……!

He’s murdered by a serial-killing midget…..

A serial….killing…midget….

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Kay, that was f*cking weird, but the next ones gotta be….!

Okay, guy is randomly murdered and random weird greek symbolism that doesn’t…really relate to the climax…

Okay, this next one will….! Okay, massive homophobia-

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In spite of the many times she’s disappointed me, I just can’t give up on her.

She’s just good enough at what she does that she is able to draw me in again and again. But those endings…man, those endings kill me. And not in a good way.

I just don’t understand how someone could have such a strong character and personality, only to demure when it matters the most. She makes all of these promises and she never keeps them. She beguiles me with gorgeous imagery and diction, only to leave me crumpled on the floor like a used tissue.

Why? Does she feel too much pressure to perform? Am I more invested than she is? Has she just moved on to bigger and better things?

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Why, Daphne? Why didn’t Rachel just kill Philip when she had the chance? It doesn’t make sense, Daphne.

I’m currently working on Jamaica Inn and I’m fretful that I’ll drudge through it and experience the same kind of disappointment again. But I’m just so curious….I have to know what happens.

Maybe this time will be different. Maybe she will have that jarring jump-out-of-your-pants ending I’ve been waiting for. I mean, it’s not like all her endings were that, bad right? Maybe I was being too hard on her. Perhaps I’m the one to blame for my high expectations.

I’ll give you another shot, Daphne.

I can’t quit you.