Black Mirror: Season Five Thoughts

SPOILER ALERT FOR SEASON FIVE OF BLACK MIRROR

I consider Black Mirror to be one of the greatest sci-fi shows ever made. Its portrayal of the effect technology has on the human psyche has made for some of the most insightful and realistic stories I have ever come across.

It has the ability to both haunt and inspire in equal measure, doling out some harsh truths about the fallibility of man all while creating interesting storylines and environments that will have you reeling for days.

That being said, this season was some serious meh.

While other episodes have shaken me to the core and left me soaking in the bathtub for hours in contemplation, this seasons helpings of dystopian doom lacked some serious flavor.

Let’s start with Striking Vipers. 

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When I heard this episode was going to be about virtual reality, I wasn’t impressed. Yes, the thought of virtual reality escalating in quality to the point of being on-par with reality is an intriguing concept in theory, however, it’s one that has been played out in most forms of media. I wasn’t sure what else they could possibly add to the conversation given the bevy of other stories that have explored this very topic.

Then the two heterosexual males started boning each other.

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As the story unfolded I experienced that familiar sense of foreboding that pervades all episodes of Black Mirror, the burdensome knowledge that shit is about to hit the fan and there will be nothing but wreck and ruin that awaits all involved.

Dany was going to lose his marriage. Karl might be experiencing  gender dysphoria (this wasn’t explored in as much depth as I was hoping). I had to pause and consider what the writer was trying to convey. Are we who we are only if we are in a certain body? If we existed in another body would we truly be ourselves, or do our souls merely adapt to the vessel that they are placed in?

At first, it’s merely a means of achieving a sexual high, that is until Karl accidentally says the “l-word” which presents them with an ultimate question. Are their virtual reality feelings real?

They seek a resolution to this conundrum, yet the answer isn’t as clean-cut as they think.

I don’t take issue with the ambiguity of Karl and Dany’s feelings for each other. The problem I have with this episode is that they get away with their adulterous acts completely unscathed.

Karl and Dany have a love affair that goes on for ages and there are essentially no consequences. Dany stays married to his beautiful wife with a baby on the way and Karl is still living the bachelor life without a care in the world

I’m not opposed to a happy ending (especially in a show with such a dark, nihilistic tone), but the ending doesn’t feel deserved. There should be at least some negative repercussions to emerge from this.

Dany’s wife should have left him or he should have left her. Maybe Karl could have gone to Dany’s house on a whim and confessed his undying love to Dany only for Dany reject him out of principle, thus ending their friendship and leaving both of them feeling hollow and miserable.

Either one of these would have better than just letting them have their cake and eat it too.

A story devoid of consequences is one devoid of meaning.

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The next episode Smithereens was the best in the bunch, in my opinion. It was fast-paced, topical, and  provided the sort of thought-provoking commentary on social media I have come to expect from this show.

This episode’s greatest strength is there is no villain. The alleged antagonist is just a broken man; a victim of his own careless mistakes.

What makes it all so terrible is how relatable his situation is. He lost the person he loved most in the world because he was addicted to his phone. Like he tearfully explains to the founder of Smithereens, he killed his fiance over a cat photo.

These sorts of tragedies occur all the time and will continue to happen as long as social media is there to distract us.

It looks at social media companies and their drive to make their wares all the more addictive, subconsciously persuading us to risk our own lives and the lives of those we care about just so we don’t have to be bored for a few minutes.

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My thoughts on this episode summarized

As a side-note, the use of Can’t Take My Eyes Off You by Franki Valli playing over b-footage of pedestrians habitually looking at their phones was genius. Black Mirror has always been clever with their choice of easter-eggs and foreshadowing and this inclusion was just superb.

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I liked Rachel, Jack and Ashely Too the least as it started with a fascinating premise only to degenerate into a mad-cap after-school special.

In the first act, we are introduced to Rachel, a lonely high school girl that is developing a quasi-obsessive relationship with her Ashley O doll, depending on it for self-validation and friendship. Meanwhile the real Ashley O is spiraling into an existential crisis that is leading her down a path of self-destruction. It’s a fascinating juxtaposition between the flowery fiction that is the Ashley sprite and the genuine article which is much bleaker and provides inspiring commentary on the entertainment industry.

For some reason I can’t possible understand, the second half completely drops this and becomes incompatible with the pre-existing message. It was like this episode was written by two different people who couldn’t agree on what the point of the story was supposed to be. 

Why build up the episode to be about a lonely, teenager girl who is developing an unhealthy dependency on a piece of tech if you’re just going to bench her in the end? The issue they introduced in the beginning of the episode never gets resolved. Does Rachel ever find the confidence to stand on her own? Does she find a way to believe in herself enough to overcome her loneliness? We don’t know. But here’s Miley Cyrus crowd surfing!

I didn’t care if Ashley O regained consciousness (they never explained how that happened btw), I wasn’t invested in her. I wanted to know what would become of Rachel if this dependency continued and the implications this would have on her developing mind.

Lonely people seeking companionship in technology is a real issue that should be talked about and makes an interesting story.

This was just predictable and, frankly, stupid.

If I was a creative writing teacher, I would give this a C. It’s watchable but it could have been so much more than it was.

The same could be said for most of the season. It had good ideas but it was not nearly as good as its predecessor.

Dammit, are there no British based programs that haven’t let me down?

 

The Twilight Zone: “The Comedian” Review

Disclaimer: The following review contains spoilers. To watch the free pilot, click here

As a fan of the original Twilight Zone, I thought I would give the revival a try. I heard it would be helmed by Jordan Peele so it was in competent hands. Unlike many writers of political satire in the post-modern age, he is talented enough to take on such a project. After all,  he already has two movies under his belt, both of which have been critical and box-office hits and contain great social commentary.

The pilot for this reboot is about a failed comic, Amir, whom, after a chance encounter with a legendary comedian, is granted the ability to make people laugh. But there is a catch. Everyone he jokes about disappears.

So…what did I think?

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Okay, well, it wasn’t awful but it wasn’t good either.

To its credit, the message is very Twilight Zone-isque and the metaphor of people being “unpersoned” is effective in helping to convey it. Conceptually, it’s a thought-provoking perspective on comedy and how making oneself so available to the public takes away a person’s sense of self.

The execution, however, was a bit derivative.

For starters, the main character isn’t likable from the offset. Sure, he isn’t supposed to be funny (that’s the point), but rather than sympathize with him for his lack of talent in a craft he so clearly admires, I thought he was just a pretentious neckbeard. Not misunderstood, not flawed, but a fedora-hatted neckbeard that thinks everyone should recognize his brilliance because his comedy “means something.”

To add to the general unlikeability of this person, even after he makes his girlfriend’s nephew disappear, he doesn’t really care. It’s true that he freaks out at first, but it seems like he’s more upset that he can now break reality, rather than the fact that his girlfriend’s sister’s child is gone forever. That kid did nothing to him and he quickly shrugs it off like it never happened.

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This makes it much more difficult to feel any grief for him when he comes to his fate at the end of the episode.

Moving on, I realize that the Twilight Zone is meant to be a drama and the most important thing is that the story’s message is properly conveyed, but come on. They couldn’t have made it a little funny? This was an episode about a comedian performing at a comedy club in an episode about trying to make people laugh written by a comedy writer.  I know Amir isn’t supposed to be good initially, but hell even a broken clock works twice a day. Couldn’t the curse have made him just a bit more witty so it’s not as much of a chore to sit through?

I realize it’s a short format so there’s less time to work with, but the characters in this story suffered a noticeable lack of development, especially Amir’s girlfriend. As a result their relationship isn’t well defined, so it’s difficult to care when they end up breaking up. We learned that they were apparently on the rocks before they took a trip to Paris but we didn’t see any evidence there was anything wrong with their relationship prior to this scene. And how can an extravagant vacation cure relationship woes? Have you ever travelled to a foreign country with someone you’re at odds with? That sounds like a bleeding nightmare.

Not to mention, certain scenes with her made no sense. I initially thought it was a dream sequence when she stormed into the theatre and started shaming him in front of his audience.

“I found this book! It’s only filled with names! I don’t even know who most of these people are!”

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Okay……

…….and?

It’s a notebook not a Death Note.

It’s weird but it doesn’t warrant confronting someone in the middle of a crowded theatre  while they’re performing on stage. According to the curse’s rules, anyone he mentions will be whisked out of existence. No one else besides Amir is aware this is happening. So why such a hostile and public reaction?

Seriously, who does this?

The intended “emotional pay-off” wasn’t much of a catharsis either.

The episode tricks us into thinking he’s going to make his girlfriend go “poof” but in reality he turns his own ability inwards and unpersons himself. The reason why this doesn’t work all that well is, when you think about it, he really didn’t lose much as a result of his curse. Other people did.

His girlfriend lost her job, his girlfriend’s sister lost her child, countless other people had their sons and daughters wiped from existence. But what did he lose? A relationship. That’s it. He lost his live-in girlfriend. She didn’t die, she just left him.

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It would make sense if he showed any signs of being self-sacrificing before, but he didn’t. His ego is the size of a hot weather balloon from Day 1 and it only gets worse the more fame he achieves. So why would it make a difference to him if he had to break a few more eggs to make his fame omelette?

From a character perspective, he would have to lose a great deal more in order for him to be motivated to make that final call. Especially when taking into consideration–apart from his girlfriend working at a diner as a result of his actions– we don’t really see any truly negative consequences for him having snuffed out these people.

It would have been more effective, in my opinion, if his girlfriend actually cheated on him as he suspected she might and, in an act of self-righteousness, he unpersoned her only to regret it and effectively commit suicide to undo all the damage he had done.

Would that have been more predictable?

Maybe.

But it would have made more sense.

Overall, this was an episode with a decent premise that just flopped.

Other people seem to enjoy it, but, in my opinion, Black Mirror is a much better spiritual successor to the old Twilight Zone. It focuses more on the technological side of society, favoring the sci-fi elements over the fantastical. Nevertheless, the themes and social commentary it presents hit home much more accurately than this episode.

If nothing else, you won’t have to subscribe to yet another bs streaming site in order to watch it.

Kris Marshall is The Doctor?

So rumors have been floating around that Death in Paradise’s Kris Marshall may be taking up the mantle of The Doctor following Capaldi’s departure.

And, of course, you realize what this means….

THE DOCTOR WILL FINALLY BE GINGER!!!

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I thought this would be the main topic of discussion when it came to his potential role. However, this was what most people had to say about the matter:

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My questions is why are people so adverse to him playing The Doctor? I’ve read quite a few tweets and I’ve been able to determine two reasons for the wave of haters:

  1. They don’t like him because he was in that one thing that they didn’t like so that automatically means he’ll be crap at being The Doctor because reasons, I guess.
  2. He’s a straight white male.

If your reason for not liking him being The Doctor is reason #1, give him a break. Sometimes actors get cast in crappy roles in crappy movies/tv shows. It happens. There are a lot of factors that go into making a production. Sometimes actors have poor direction or the writing is bad. Even the best actors can’t turn straw into gold.

If your reason for being up in arms is #2, well, I suggest you listen to this on full blast.

Okay, perhaps a bit harsh.

All the same, I think it’s a dumb reason to be upset. Yes, I’ve said in a post before that it would be cool if The Doctor was a woman. Nevertheless, I’m not up in arms that he’s not. I just want the show to improve and I thought him being a woman would give us a new dynamic to work with. However, I think we’re going to see plenty of different now that we’re getting a new head writer AND he’s bringing in a whole new group of writers.

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Of course, it’s only a rumor that he’ll be the 13th Doctor. Still, I’m actually really hoping it’s true (and it seems to be since nobody from BBC has denied it).

I know from Death in Paradise that he does socially awkward and smart well so he seems like he’d be a perfect fit.

As most people have pointed out, people usually hate the guy that’s replacing the old Doctor, only to fall in love with the new one. That didn’t necessarily happen to me with Capaldi, but I know where they are coming from and have experienced it myself when Tennant became Smith.

So, if he truly is the Ginger Doctor, we should all give him a chance.

Who knows? Maybe he’ll become your favorite Doctor.

How I’m Writing What I Don’t Know

Conventional wisdom says that you’re supposed to write what you know.

However, I have decided to go the harder route and try writing what I don’t know.

Why am I trying to carry out this obviously horrible idea?

Because if I never try anything new, every single protagonist I write will be an introverted middle-class white girl from the midwest.

In this particular case, I am writing military sci-fi so I have to learn more about the armed forces.

How hard could that be?

It was a challenge at first. However, once you get past all the acronyms it still feels like your brain is melting.

Once you learn the ranking, then there’s the weapons and machines/equipment they use, and the training regiment. Then there’s figuring out the difference between a fire team, a squad, a platoon, a company, a battalion, a brigade and corps.

There are 8 to 16  soldiers in a squad, 2 or 4 squads in a platoon, 3 to 5 platoons in a company, 6 companies in a battalion, 4 calling birds, 3 french hens, 2 turtledoves and a partridge in a pear tree.

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When I venture out into uncharted territory, I always experience paralysis. Even after I do my homework and try to get as close to the facts as I can, there’s that persistent nagging sensation that tells me I’m going to get it wrong.

This leads to procrastination and mental gymnastics, all designed to keep me from trying.

Because not trying is better than trying and failing. Or at least that’s what my ego tells me.

Part of me wants to give up, but if there’s one thing I’ve learned over the years it’s that the best way for a writer to understand something is for them to write about it. By doing that I was able to come up with a list of strategies to use to fix my problem and yours as well if you’re struggling like I am:

1. Get a beta reader who knows more about the subject you’re writing about than you. Hopefully, you have a friend or a friend of a friend who is knowledgeable about the topic you are writing about and would be willing to provide their services. If they are reluctant to do so, I would recommend bribery: a pizza dinner for every chapter they read.

2. Get another beta reader who knows less about the subject than you. While you want to write like someone who understands the subject they’re talking about, you don’t want to get so technical that only people who are directly involved in this line of work or have studied this subject comprehend what you’re saying.

3. Reconcile yourself with the fact that you may get something wrong anyway. Try as hard as you can to make a good product. But if you wait until everything is perfect you’ll never produce anything. Take it from someone who knows.

Now go out there, my pretties, and make good work!

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Should the 13th Doctor be a Woman?

Unless you’ve given up on Doctor Who and unliked all the DW-related Facebook pages as I should have done long ago, you’ve likely heard everyone screaming from the ether: THE NEXT DOCTOR HAS TO BE A WOMAN!!

Now in the past, my opinion on a female playing The Doctor has been-

However, now that Moffat is on his way out and a much better character writer is slated to be the next show-runner, my opinion on the subject has changed slightly.

I can’t say I’d be over the moon about The Doctor being a woman, but, let’s face it, Doctor Who needs a change. Fast.

Theoretically this show could go on forever. Since it has a continually revolving cast that changes every few years or so, there’s no reason for it to stop even if actors or producers quit.

But that doesn’t necessarily mean it doesn’t get formulaic and predictable after a while.

If you have played a Doctor Who drinking game in the last four years or so, then you’re probably reading this post from a coffin. How’s the wifi down there, by the way?

No one I know watches Doctor Who casually anymore. Or at all, actually.

Most of them stopped watching after Matt Smith left, or even before the baby-faced wonder bid us adeu.

And I think the reason why is obvious: the writing got boring.

It’s the same shtick over and over.

First act: The Doctor, meaning to take companions one place, ends up taking them to another place. They are then confronted with a deadly danger/dangerous mystery/deady dangerous mystery and are forced to run from alien monsters of some description.

Second act: The Doctor becomes discouraged, but then the companion needlessly reminds him that he’s “The Doctor” and he’s amazing and stuff. The companion is usually captured and The Doctor is forced to contend with seemingly impossible odds. He does a thing and confronts the big bad.

Third act: The Doctor performs a now paint-by-numbers speech about how awesome he is, defeats the villain, then sods off with his companion who usually has a witty quip or two to offer about the whole situation. They then pop into the TARDIS and all is well. Cue end credits.

See what I mean?

So…perhaps…just perhaps…changing The Doctor into a woman wouldn’t be the worst idea? For one thing, it would give us an opportunity to explore The Doctor’s character on a level we never have before. We’ve already done the “am I actually a good guy?” thing a million times by this point. Changing him into a woman would give us a whole new dynamic to work with. And if he had a male companion we wouldn’t have to watch them constantly measuring dicks all the time. That’d be a nice change of pace.

I envision a female Doctor as like a Romana/10th Doctor hybrid.

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Only not a colossal disappointment. Damn you Hell Bent. The fandom will never recover.

Realistically, however, it’s very likely that they will cast another man. Because safety is better than creative risks when it comes to television. At least that’s what most people in the biz seem to believe.

However, if they cast Eddie Redmayne all would be forgiven.

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The Doctor would finally be ginger. And adorable.

Regardless, I swear to Cthulu, if this show disappoints me again once Chibnail takes the lead, I am leaving!

FemmeDoctor or no FemmeDoctor.

Opinion: Peter Capaldi is Leaving Doctor Who and That’s a Good Thing

As crappy as it is that Peter didn’t get a fair shake at being The Doctor, this decision to leave is for the show’s benefit.

Doctor Who has been in dire need of a direction change for years now and I think it would really benefit from a clean slate. Many people are complaining that ageism is somehow responsible. That the reason people haven’t been tuning in is because Capaldi is an older gentlemen and not a handsome hero like Tennant or Smith.

“Go back to your Twilight fanfictions!” they cry.

However, it’s pretty clear that’s not the case. The reason I don’t care about the show anymore isn’t because the actor playing The Doctor is older. I don’t care about the show anymore because The 12th Doctor is…kind of annoying. Sometimes he can be funny and, in rare moments, charming. But his character went from being this dark, almost Valeyardish Doctor to just being a grumpy curmudgeon that wants everyone to get off of his lawn.

I really wanted to see how dark The Doctor could be, but it seems like the writers were too scared to go all in. To make matters worse, the humor they used for Capaldi’s Doctor just…didn’t work. It’s like Steven was still trying to write lines for the 11th Doctor. It was cringey. Seriously cringey.

Also his character hasn’t really gone through a compelling metamorphosis like The Doctors past. He just essentially became another character entirely with no hint of natural progression.

Capaldi’s a good actor, but a good actor can only do so much. If a line sucks, a line sucks. It doesn’t matter how much passion you put behind it.

If I had to sum up Capaldi’s tenure as The Doctor, I would say “wasted opportunity.” And that’s if I were being charitable. If I wasn’t, I would call it….well…”dull.” There were moments where I thought this Doctor was beginning to come into his own, but then he would almost immediately retreat back into his veneer of grumpiness.

I don’t wish Capaldi any ill will and I don’t blame him for the show’s downfall. However, I think his leaving is best for the show.

Here’s to hoping Chibnall can give Doctor Who the kiss of life and make it the hearts-stopping, family show that it used to be.

Fingers crossed.

The Short Guide to World-Building for Noobs

For some people creating new worlds is easy. For others it’s a bit more difficult. Here are a few things I’ve learned from experience:

Write more information about this world than you will use in the story. 

Get out a notebook and write down as much about this world as you can: the landscapes, the history, the language, the climate, the people, everything you can think of. However, keep in mind that most of what you are creating will not make it into the finished product. People don’t like being bogged down by too much information. Nonetheless, it’s important that you have this background information so that it feels more organic. You don’t want the reader to feel as if you’re making it up as you go along.

Remember where you live affects who you are as a person. 

Regardless of how you may dislike where you live or the customs you grew up with, it’s undeniable that where you are born affects your view of the world. The same should be said of your characters. For instance, people who live in less forgiving climates tend to be tougher than people that don’t. Think about your character and how their environment shaped their personality. Did it embolden them? Make them fearful? What side of the mountain they came from can make a difference in their development.

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Travel. 

Exploring new lands, tasting new food, and mingling with strangers is the best way to get your creative energies flowing. This is especially true when it comes to world-building. Traveling can broaden your horizons and inspire you to create new worlds that may nor may not resemble this one. You can look up photographs on the internet about certain landmarks, but it’s no substitute for being there yourself.

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Read about other cultures. 

This doesn’t mean you should directly or disrespectfully rip off of other cultures and their beliefs. However, exposure to new ideas (or at least ideas that are new to you) can inspire you to create your own. Study different religions and sciences. Read short story collections from other countries. Do as much research as you can about different environments.

Good luck!

My Novella is a Novel Now

I suspected this day would come. I had just hoped I would be more ready for it.

I realized upon rereading the most recent draft of my latest project that I would not be able to do my characters justice in such a short amount of time.

If I want to tell the story and give it the emotional gut-punch it needs, I will have to increase the length and expand it into a full-length piece.

My original plan was to go big and then just chip away at it piece by piece until it was the right length. However, the longer I write the less likely that seems. The story keeps getting bigger and bigger, the characters have more and more to say. A measly 65 pages won’t suffice.

It has to be a novel.

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But Rachael, you say, what’s wrong with a novel? After all, novels are what really make money. 

Yes. But I am a painfully slow writer. It takes me, on average, two to three hours to write two pages and that’s if I know what I’m doing.

I expected to knock this bad boy out in a month or two. Now it will likely take me over a year.

You don’t understand how many projects I have planned already. Now they will be backlogged forever. Or at least until someone else comes up with the same idea I had and publishes it first.

I love writing this story, but….

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I have another time travel story, a crazy writer story, and a fantasy story all waiting for me to return to them and here I am hacking away at this monster of a project.

Sigh.

Well, there’s nothing for it.

I need to get back to work on this thing, or who knows how long it will take for me to complete it.

For everyone else is NaNoWriMo. For me it’s OhMyGoHoAmIStOnThChMo– Oh My God How Am I Still On This Chapter Month.

Good luck on your projects, good reader. I will need it with my current endeavor.

“The Infinity Doctors” a Doctor Who Novel Review

WARNING: The following contains spoilers for the novel. It’s been out since the 90s, but I thought I should give you a heads up anyway. 

Pros:

Gallifrey. Firstly, I would like to say I love how in-depth the writer is when describing Gallifrey in this novel. You would think that it would bog down the plot, but if anything it enriches the reading experience. Precious little is revealed about Gallifrey in the show so being introduced to the culture in all its complexities was a thrill for me. In fact, I would go so far as to say that is the best thing about this book.

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The Sontarans and Rutans. I was surprised by how invested I was in the conflict between these two races. They were just a tiny subplot that was mostly abandoned after the second act, but the resolution to their conflict was hilarious. I honestly laughed out loud. I loved how Sontar and the Rutan leader interacted with each other and the way they finally made peace was the cherry on top.

The plot. The book was pretty heavy on techno babble and, admittedly I got a bit bored with all the sciency speak. However, the plot itself was pretty solid and it introduced a lot of interesting concepts like people who remember the future instead of the past.

The characters. I won’t say that I was heavily invested in these people, but I did find myself a great deal more interested in the original characters than I normally am in DW novels. Most of the time I just want to skip to the parts with The Doctor, but this time I was actually interested in hearing Larna’s perspective and what it was like being a recently initiated Time Lord. They also seemed more organic rather than stock characters as is custom in most of these EDAs. I even found myself liking the Chancellory Guards Peltroc and Raimor even though they didn’t play that big of a roll in the grand scheme of things.

Cons:

Shot through the heart and you’re to blame. I will admit, there was one scene in particular that nearly made me stop reading the book. If you haven’t read the book, I would suggest you not continue with this post. Still here? Okay. Larna, a bright Time Lady and The Doctor’s favorite student, tries to stop The Doctor from entering the Station and The Doctor decides to retaliate by stabbing her in the heart.

No. Literally. He stabs her in the heart

He knows she’ll be able to have a surgery that will reverse any negative side effects that such an injury would create, but um…he stabbed her!!!!

This girl trusted him with her life. They were very close friends. And he stabbed her.

And then what happens? She moves the blade so it severs her spinal cord.

And she dies.

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I mean, sure, he asks Omega to bring her back to life later, but that’s beside the point. He stabbed an innocent person who got in his way. This leads me to another con.

No long-term effects. So my second biggest problem with this book is a bit ironic, especially if you’ve read the conclusion to this little piece. One of the largest issues with The Infinity Doctors is there are hardly any consequences.

What’s funny is the book openly admits that this is what happened:

“Nothing had changed, because nothing ever changed on Gallifrey except over geological timescales. Nothing was better, nothing was worse”  (pg 279-280)

There are no consequences for The Doctor having tried to play God and there are no consequences from him having murdered Larna. Yeah, the Doctor Who Wiki classifies it as suicide, but for all intents and purposes The Doctor killed her. There’s no confrontation, their relationship doesn’t suffer, she doesn’t remember it…it’s basically brushed under the rug.

Um…excuse me but…THIS IS A BIG DEAL!

He murdered one of his friends. And not because of some Save-The-Universe issue. He did it because he wanted to get with his dead wife whom he ditches after, like, two chapters.

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But no, no. Lance Parkin says it’s cool, guys. It’s cool. Just have a jelly baby and push the undo button.

The Doctor, himself, said that a universe without consequences is devoid of meaning and yet all of his actions go unchallenged. Maybe it’s addressed in the next book? I don’t know. All I know is that at the end of this one, Larna and The Doctor are totally cool with each other and The Doctor going all stabby-stab on her is never addressed again.

He doesn’t have an Oh-God-What-Have-I-Done moment, nor does he reflect on what such an action says about him as a person. It’s just kind of…forgotten.

Conclusion:

I did enjoy this novel even though the zero consequences thing kind of irks me. It did quite a bit considering how short of a book it was. However, I felt that everything moved along at a decent pace, not too long but not too short. I loved how fleshed out Gallifrey is in this novel considering how criminally underdeveloped Gallifrey is as a society in the TV show. I also found myself enjoying the side characters as well. I haven’t forgotten you Magistrate…even though everyone else seems to have done so.

Overall, I would give this book a B+ or an A-.

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Doctor Who Christmas Special: I’m Cautiously Optimistic

After the dreaded Hell Bent, I considered myself done with Doctor Who.

I still watch reruns, read books featuring past Doctors, and listen to Big Finish audiodramas. But that thirst to see more? That urgency to find out what is in store for one of the best characters in science fiction? That is gone.

Hell Bent was an amalgamation of everything wrong with Doctor Who, even more so than The Time of the Doctor, which I maintain is the worst of the worst when it comes to spitting in the face of continuity.

The trailer released five months ago that featured the new companion, asBill, did nothing to inspire confidence in the show’s future either. As usual, it promised only more of the same: a London girl from present-day Earth who makes snippy remarks about everything.

Yawn.

More Daleks who potter around and do nothing of actual consequence!

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Yawn.

Even the creative team didn’t seem to care seeing as they couldn’t be bothered to proofread the graphics before they went on-air.

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asBill.”

Like…what do you say to that?

I have had zero incentive to stick around and it seems as if a good chunk of the fanbase is singing the same tune.

But when I heard that the Doctor Who Christmas Special would be featuring a superhero I did a double take.

On its face this seems like a stupid idea. A stupid idea that sounds like fanfiction made flesh (not that all fanfiction is bad).

However, maybe this is what Doctor Who needs.

Right now, more than any other time in Doctor Who‘s history, we need something different.

We need experimental. We need to break the mold Doctor Who has created for itself.

For too long we’ve just had more of the same. Same base-under-siege stories, same character archetypes, same types of monsters (seriously, if I see the Weeping Angels one more time I will snap my own neck), same two-dimensional side characters that only exist so they can be killed off by the monster, same lessons that the Doctor keeps forgetting, same jokes, same heavy-handed morals.

For years, DW has just been marinating in a broth of sameness.

Yes, this story could completely fall on its face. Yes, it could just be a dumb gimmick to encourage wayward fans to tune in.

But it’s doing one thing that Doctor Who hasn’t done in quite a while: it’s taking a risk.

That’s what good writing is supposed to do. You’re supposed to keep pushing the envelope. As of late, DW has become too comfortable with its formulaic style. Maybe this is a sign that things will improve?

I could be reading too much into this. I do that often when it comes to Doctor Who. Maybe this time will be different. Maybe this time Steven Moffat won’t give my brain the finger.

But at least this is something new.

And if there’s a chance, however slight, that the show could return to its former glory I’m going to give it a go.

So The Doctor fighting alongside a superhero?

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Maybe we could also develop Peter Capaldi’s Doctor beyond grumpy-old man while we’re at it? Please?