Kris Marshall is The Doctor?

So rumors have been floating around that Death in Paradise’s Kris Marshall may be taking up the mantle of The Doctor following Capaldi’s departure.

And, of course, you realize what this means….

THE DOCTOR WILL FINALLY BE GINGER!!!

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I thought this would be the main topic of discussion when it came to his potential role. However, this was what most people had to say about the matter:

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My questions is why are people so adverse to him playing The Doctor? I’ve read quite a few tweets and I’ve been able to determine two reasons for the wave of haters:

  1. They don’t like him because he was in that one thing that they didn’t like so that automatically means he’ll be crap at being The Doctor because reasons, I guess.
  2. He’s a straight white male.

If your reason for not liking him being The Doctor is reason #1, give him a break. Sometimes actors get cast in crappy roles in crappy movies/tv shows. It happens. There are a lot of factors that go into making a production. Sometimes actors have poor direction or the writing is bad. Even the best actors can’t turn straw into gold.

If your reason for being up in arms is #2, well, I suggest you listen to this on full blast.

Okay, perhaps a bit harsh.

All the same, I think it’s a dumb reason to be upset. Yes, I’ve said in a post before that it would be cool if The Doctor was a woman. Nevertheless, I’m not up in arms that he’s not. I just want the show to improve and I thought him being a woman would give us a new dynamic to work with. However, I think we’re going to see plenty of different now that we’re getting a new head writer AND he’s bringing in a whole new group of writers.

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Of course, it’s only a rumor that he’ll be the 13th Doctor. Still, I’m actually really hoping it’s true (and it seems to be since nobody from BBC has denied it).

I know from Death in Paradise that he does socially awkward and smart well so he seems like he’d be a perfect fit.

As most people have pointed out, people usually hate the guy that’s replacing the old Doctor, only to fall in love with the new one. That didn’t necessarily happen to me with Capaldi, but I know where they are coming from and have experienced it myself when Tennant became Smith.

So, if he truly is the Ginger Doctor, we should all give him a chance.

Who knows? Maybe he’ll become your favorite Doctor.

Should the 13th Doctor be a Woman?

Unless you’ve given up on Doctor Who and unliked all the DW-related Facebook pages as I should have done long ago, you’ve likely heard everyone screaming from the ether: THE NEXT DOCTOR HAS TO BE A WOMAN!!

Now in the past, my opinion on a female playing The Doctor has been-

However, now that Moffat is on his way out and a much better character writer is slated to be the next show-runner, my opinion on the subject has changed slightly.

I can’t say I’d be over the moon about The Doctor being a woman, but, let’s face it, Doctor Who needs a change. Fast.

Theoretically this show could go on forever. Since it has a continually revolving cast that changes every few years or so, there’s no reason for it to stop even if actors or producers quit.

But that doesn’t necessarily mean it doesn’t get formulaic and predictable after a while.

If you have played a Doctor Who drinking game in the last four years or so, then you’re probably reading this post from a coffin. How’s the wifi down there, by the way?

No one I know watches Doctor Who casually anymore. Or at all, actually.

Most of them stopped watching after Matt Smith left, or even before the baby-faced wonder bid us adeu.

And I think the reason why is obvious: the writing got boring.

It’s the same shtick over and over.

First act: The Doctor, meaning to take companions one place, ends up taking them to another place. They are then confronted with a deadly danger/dangerous mystery/deady dangerous mystery and are forced to run from alien monsters of some description.

Second act: The Doctor becomes discouraged, but then the companion needlessly reminds him that he’s “The Doctor” and he’s amazing and stuff. The companion is usually captured and The Doctor is forced to contend with seemingly impossible odds. He does a thing and confronts the big bad.

Third act: The Doctor performs a now paint-by-numbers speech about how awesome he is, defeats the villain, then sods off with his companion who usually has a witty quip or two to offer about the whole situation. They then pop into the TARDIS and all is well. Cue end credits.

See what I mean?

So…perhaps…just perhaps…changing The Doctor into a woman wouldn’t be the worst idea? For one thing, it would give us an opportunity to explore The Doctor’s character on a level we never have before. We’ve already done the “am I actually a good guy?” thing a million times by this point. Changing him into a woman would give us a whole new dynamic to work with. And if he had a male companion we wouldn’t have to watch them constantly measuring dicks all the time. That’d be a nice change of pace.

I envision a female Doctor as like a Romana/10th Doctor hybrid.

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Only not a colossal disappointment. Damn you Hell Bent. The fandom will never recover.

Realistically, however, it’s very likely that they will cast another man. Because safety is better than creative risks when it comes to television. At least that’s what most people in the biz seem to believe.

However, if they cast Eddie Redmayne all would be forgiven.

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The Doctor would finally be ginger. And adorable.

Regardless, I swear to Cthulu, if this show disappoints me again once Chibnail takes the lead, I am leaving!

FemmeDoctor or no FemmeDoctor.

Opinion: Peter Capaldi is Leaving Doctor Who and That’s a Good Thing

As crappy as it is that Peter didn’t get a fair shake at being The Doctor, this decision to leave is for the show’s benefit.

Doctor Who has been in dire need of a direction change for years now and I think it would really benefit from a clean slate. Many people are complaining that ageism is somehow responsible. That the reason people haven’t been tuning in is because Capaldi is an older gentlemen and not a handsome hero like Tennant or Smith.

“Go back to your Twilight fanfictions!” they cry.

However, it’s pretty clear that’s not the case. The reason I don’t care about the show anymore isn’t because the actor playing The Doctor is older. I don’t care about the show anymore because The 12th Doctor is…kind of annoying. Sometimes he can be funny and, in rare moments, charming. But his character went from being this dark, almost Valeyardish Doctor to just being a grumpy curmudgeon that wants everyone to get off of his lawn.

I really wanted to see how dark The Doctor could be, but it seems like the writers were too scared to go all in. To make matters worse, the humor they used for Capaldi’s Doctor just…didn’t work. It’s like Steven was still trying to write lines for the 11th Doctor. It was cringey. Seriously cringey.

Also his character hasn’t really gone through a compelling metamorphosis like The Doctors past. He just essentially became another character entirely with no hint of natural progression.

Capaldi’s a good actor, but a good actor can only do so much. If a line sucks, a line sucks. It doesn’t matter how much passion you put behind it.

If I had to sum up Capaldi’s tenure as The Doctor, I would say “wasted opportunity.” And that’s if I were being charitable. If I wasn’t, I would call it….well…”dull.” There were moments where I thought this Doctor was beginning to come into his own, but then he would almost immediately retreat back into his veneer of grumpiness.

I don’t wish Capaldi any ill will and I don’t blame him for the show’s downfall. However, I think his leaving is best for the show.

Here’s to hoping Chibnall can give Doctor Who the kiss of life and make it the hearts-stopping, family show that it used to be.

Fingers crossed.

“The Infinity Doctors” a Doctor Who Novel Review

WARNING: The following contains spoilers for the novel. It’s been out since the 90s, but I thought I should give you a heads up anyway. 

Pros:

Gallifrey. Firstly, I would like to say I love how in-depth the writer is when describing Gallifrey in this novel. You would think that it would bog down the plot, but if anything it enriches the reading experience. Precious little is revealed about Gallifrey in the show so being introduced to the culture in all its complexities was a thrill for me. In fact, I would go so far as to say that is the best thing about this book.

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The Sontarans and Rutans. I was surprised by how invested I was in the conflict between these two races. They were just a tiny subplot that was mostly abandoned after the second act, but the resolution to their conflict was hilarious. I honestly laughed out loud. I loved how Sontar and the Rutan leader interacted with each other and the way they finally made peace was the cherry on top.

The plot. The book was pretty heavy on techno babble and, admittedly I got a bit bored with all the sciency speak. However, the plot itself was pretty solid and it introduced a lot of interesting concepts like people who remember the future instead of the past.

The characters. I won’t say that I was heavily invested in these people, but I did find myself a great deal more interested in the original characters than I normally am in DW novels. Most of the time I just want to skip to the parts with The Doctor, but this time I was actually interested in hearing Larna’s perspective and what it was like being a recently initiated Time Lord. They also seemed more organic rather than stock characters as is custom in most of these EDAs. I even found myself liking the Chancellory Guards Peltroc and Raimor even though they didn’t play that big of a roll in the grand scheme of things.

Cons:

Shot through the heart and you’re to blame. I will admit, there was one scene in particular that nearly made me stop reading the book. If you haven’t read the book, I would suggest you not continue with this post. Still here? Okay. Larna, a bright Time Lady and The Doctor’s favorite student, tries to stop The Doctor from entering the Station and The Doctor decides to retaliate by stabbing her in the heart.

No. Literally. He stabs her in the heart

He knows she’ll be able to have a surgery that will reverse any negative side effects that such an injury would create, but um…he stabbed her!!!!

This girl trusted him with her life. They were very close friends. And he stabbed her.

And then what happens? She moves the blade so it severs her spinal cord.

And she dies.

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I mean, sure, he asks Omega to bring her back to life later, but that’s beside the point. He stabbed an innocent person who got in his way. This leads me to another con.

No long-term effects. So my second biggest problem with this book is a bit ironic, especially if you’ve read the conclusion to this little piece. One of the largest issues with The Infinity Doctors is there are hardly any consequences.

What’s funny is the book openly admits that this is what happened:

“Nothing had changed, because nothing ever changed on Gallifrey except over geological timescales. Nothing was better, nothing was worse”  (pg 279-280)

There are no consequences for The Doctor having tried to play God and there are no consequences from him having murdered Larna. Yeah, the Doctor Who Wiki classifies it as suicide, but for all intents and purposes The Doctor killed her. There’s no confrontation, their relationship doesn’t suffer, she doesn’t remember it…it’s basically brushed under the rug.

Um…excuse me but…THIS IS A BIG DEAL!

He murdered one of his friends. And not because of some Save-The-Universe issue. He did it because he wanted to get with his dead wife whom he ditches after, like, two chapters.

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But no, no. Lance Parkin says it’s cool, guys. It’s cool. Just have a jelly baby and push the undo button.

The Doctor, himself, said that a universe without consequences is devoid of meaning and yet all of his actions go unchallenged. Maybe it’s addressed in the next book? I don’t know. All I know is that at the end of this one, Larna and The Doctor are totally cool with each other and The Doctor going all stabby-stab on her is never addressed again.

He doesn’t have an Oh-God-What-Have-I-Done moment, nor does he reflect on what such an action says about him as a person. It’s just kind of…forgotten.

Conclusion:

I did enjoy this novel even though the zero consequences thing kind of irks me. It did quite a bit considering how short of a book it was. However, I felt that everything moved along at a decent pace, not too long but not too short. I loved how fleshed out Gallifrey is in this novel considering how criminally underdeveloped Gallifrey is as a society in the TV show. I also found myself enjoying the side characters as well. I haven’t forgotten you Magistrate…even though everyone else seems to have done so.

Overall, I would give this book a B+ or an A-.

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Doctor Who Christmas Special: I’m Cautiously Optimistic

After the dreaded Hell Bent, I considered myself done with Doctor Who.

I still watch reruns, read books featuring past Doctors, and listen to Big Finish audiodramas. But that thirst to see more? That urgency to find out what is in store for one of the best characters in science fiction? That is gone.

Hell Bent was an amalgamation of everything wrong with Doctor Who, even more so than The Time of the Doctor, which I maintain is the worst of the worst when it comes to spitting in the face of continuity.

The trailer released five months ago that featured the new companion, asBill, did nothing to inspire confidence in the show’s future either. As usual, it promised only more of the same: a London girl from present-day Earth who makes snippy remarks about everything.

Yawn.

More Daleks who potter around and do nothing of actual consequence!

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Yawn.

Even the creative team didn’t seem to care seeing as they couldn’t be bothered to proofread the graphics before they went on-air.

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asBill.”

Like…what do you say to that?

I have had zero incentive to stick around and it seems as if a good chunk of the fanbase is singing the same tune.

But when I heard that the Doctor Who Christmas Special would be featuring a superhero I did a double take.

On its face this seems like a stupid idea. A stupid idea that sounds like fanfiction made flesh (not that all fanfiction is bad).

However, maybe this is what Doctor Who needs.

Right now, more than any other time in Doctor Who‘s history, we need something different.

We need experimental. We need to break the mold Doctor Who has created for itself.

For too long we’ve just had more of the same. Same base-under-siege stories, same character archetypes, same types of monsters (seriously, if I see the Weeping Angels one more time I will snap my own neck), same two-dimensional side characters that only exist so they can be killed off by the monster, same lessons that the Doctor keeps forgetting, same jokes, same heavy-handed morals.

For years, DW has just been marinating in a broth of sameness.

Yes, this story could completely fall on its face. Yes, it could just be a dumb gimmick to encourage wayward fans to tune in.

But it’s doing one thing that Doctor Who hasn’t done in quite a while: it’s taking a risk.

That’s what good writing is supposed to do. You’re supposed to keep pushing the envelope. As of late, DW has become too comfortable with its formulaic style. Maybe this is a sign that things will improve?

I could be reading too much into this. I do that often when it comes to Doctor Who. Maybe this time will be different. Maybe this time Steven Moffat won’t give my brain the finger.

But at least this is something new.

And if there’s a chance, however slight, that the show could return to its former glory I’m going to give it a go.

So The Doctor fighting alongside a superhero?

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Maybe we could also develop Peter Capaldi’s Doctor beyond grumpy-old man while we’re at it? Please?

Nostalgia Goggles: Torchwood

Have you ever looked back on a series you used to love and finally see all the problems it had? Well, recently this happened to me with a little BBC program called Torchwood.

When I was in my teens, this show was my jam. It was dark, gritty, and way more mature than Doctor Who. Or…so I thought.

Here are some of the things I discovered upon revisiting this show from my teenage years:

Everyone is incompetent. You would think earth’s last line of defense from alien menaces would be…I don’t know…not completely useless. Nonetheless, the Torchwood gang feel that the best strategy is no strategy whatsoever. There is no protocol, no planned course of action. They simply rush into the situation half-cocked and lose their every-loving minds when something goes wrong.

Seriously, freaking Paw Patrol is better organized than Torchwood.

Also….

 

That’s not how you shoot a gun…that’s not even close to how you shoot a gun. I get that the UK is more ignorant when it comes to firearms because they aren’t used as often, but would it have killed the BBC to google?

An adult wrote this? I don’t mean to offend teenagers with this, but it’s an inevitability. The truth is, nobody in Torchwood acts like an adult. They act how teenagers think adults act. In fact, I wouldn’t be surprised if this series was ghost written by a moody adolescent.

It would explain everything: why the characters have sex all the time, why everyone is a complete jerk for no reason, why there’s such a grim outlook on life, why nobody ever plans out anything in advance and completely falls apart when the slightest thing goes wrong.

Wow. It all makes sense now. Maybe Torchwood was originally meant to star teenagers and the casting director didn’t get the memo.

That probably would have made this show infinitely better. If for no other reason than to justify the agents’ juvenile behavior.

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All of the angst.

Overuse of nihilismOkay, I like a heathy dose of grim and angst. However, Torchwood takes it…well…not a step too far, more like a 4K and a walk home too far.

In every episode we must be reminded there is no God, or afterlife, and everything is pointless. Well, actually, the narrative is a bit inconsistent on this point. See They Keep Killing Suzie.

There is virtually no break from the overblown angst. It’s constant pain and suffering to the point of being a self-parody.

I remember one episode where Gwen tried to reunite a mother with a son she lost and she actually wound up making things worse by doing so. The mother actually told her she would rather believe her son is dead than have him as the broken shell she was presented with.

Well…damn.

What’s the message of this episode? Don’t bother? If so that leads me to my next point:

What is the incentive to work for Torchwood?  I’ve rattled my brain for an explanation, but nothing comes to mind.

Why would you constantly dangle yourself in harm’s way if everything is pointless? Especially when there’s a drug you could take that would make you forget all the horrible things that have happened to you while on the job, no strings attached.

It’s like when Gwen started sleeping with Owen because what she saw at work was just too horrible to comprehend and she couldn’t tell Rhys. The whole time I just thought, Woman…just quit! They aren’t holding you hostage. You can leave anytime you want to. Why are you still there?!

Suzie blathered on about how much she loved this job, yet we haven’t seen a convincing reason why.

It would make sense if most of them felt a strong duty towards the rest of the humanity, but for the most part, they’re narcissistic jerkwads that don’t seem to care about anyone else. Only Gwen gives a crap about people, and even she is a terrible person for running around on her fiancé.

Thanks for the memories, Torchwood, but I don’t think I’ll be buying any of your Bluerays anytime soon.