Unpopular Opinion: Outrage Culture Conditioned Me To Not Care About Anything

Just as a heads up, this is as close to addressing political issues as I am likely to get on this blog outside of discussions involving freedom of expression. The only reason I’m even bothering typing up this post is because, as bloggers, may of us have lives that are saturated by media.

Hell, most writers in general have pretty strong ties to the internet so, in a way, it is in keeping with my niche audience.

If you squint.

Getting to the point:

This may be more of a reflection of me and my grown (or degradation depending on how you look at it) as a person, but I’ve found myself becoming so overwhelmed by lists of people I’m supposed to be angry with that it’s difficult to muster the same type of emotion.

Every other day, Twitter tallies up an extensive list of people we are supposed to hate now. Jennifer Lawrence rubbed her butt on an idol, some comedian said Donald Trump may not actually be Hitler, someone called someone a bad name in the heat of the moment.

The next morning, HuffPo and various other media outlets are writing detailed, peer-reviewed articles about why this person needs to wear a crown of thorns and carry the instrument of their execution on their backs while we throw rotten tomatoes at them.

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At first, I was game. If someone calls a woman a whore on a podcast, they should be fired. If a man sends a tweet with sexual overtones that person should be called out….but this has gone on for weeks…months….years even.

And it has to be said, you guys, I can only hate a person I’ve never met so much. I have a finite amount energy to give towards anyone I will likely never encounter in my entire existence.

There are so many people in this world that I want to save my hatred for: people who don’t use their turn signals, that cashier that always tries to make me sign up for a rewards card whenever I go shopping, people on Medicare, etc.

I am not a negative person so I only have so much scorn to give. I don’t have the energy to waste it on people who, at the end of the day, did things that are, by and large, inconsequential in the grand scheme of things.

I know what outrage culture is designed to do. It’s meant to weed out people who defy social norms and try to force them through public shaming to be a better person.

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However, what outrage culture doesn’t take into account is that people are highly adaptable. If you expose them enough times to something, they stop caring about it as much. It’s like violence in various forms of media. While it doesn’t necessarily make us more violent as people, it does desensitize us to viewing it.

It seems to be the same for outrageous behavior.

A few days ago, Youtuber and self-made millionaire PewDiePie said the n-word on one of his live-streams and nobody seems to care. Sure, a few people have made videos on it either reprimanding him or defending his speech as a “mere slip of the tongue”, nevertheless, this sort of remark would normally have people screaming from the rafters. However, it didn’t make nearly as much of an impact as it should have.

Many will likely credit this as a product of the rise of “white supremacy” in America, but I think it has more to do with the rise of outrage culture.

I think the general population are just bored of it at this point.

Myself included.

It’s not for want of trying, you understand. I read and reread articles, watch and analyze video clips, trying in desperation to feel even a tingling of rage. Nevertheless, I can’t muster up the same feelings of indignation that used to be part of my daily internet experience.

There are still people who are willing to fight the good fight from behind their desktops, adding their tweets to the pile of those declaring their outrage at (insert name here) for doing (insert activity here). But many of us have grown weary of this cycle and it is a cycle as it follows the same predictable pattern each time. The offender is shamed, the offender apologizes, the accusers don’t accept the apology and continue a smear campaign, right up until the event is no longer timely and everyone stops giving a crap.

Then it’s on to the next poor sod convicted of wrong-think.

Sometimes the outrage is reasonable and justified, sometimes it’s not.

Regardless, I think it will take some time before I will be able to hate again.

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Unpopular Opinion: “Death Note” The Netflix Film Wasn’t THAT Bad

I know everyone is in shock about this but Netflix created a live-action film adaptation of beloved anime series and manga Death Note….and it was not well received.

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It was weird, it was convoluted, and it completely fell apart at the seams.

…….but….

I don’t think it’s nearly as bad as people think it is.

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Okay! Okay! Calm down! I never said it was good. It was far from good. It was a colossal disaster as a film as well as an adaptation. Things were unnecessarily added, the crux of the story was taken away, and characters were butchered for the sake of “plot” *coughLcough*

But here’s the weird thing….

I actually think this film could have been salvageable if they had done but one thing:

Get as far away as the original source material as possible.

Yeah. Okay, so that seems like it defeats the purpose of making an adaptation doesn’t it? Well, here’s the thing.

Any attempt at making an anime is going to be dead on arrival as the expectations for anime and live-action film are completely different.

Anime works based on its own convoluted logic and the translation of that to screen is…not a smooth one. Most movie watchers go into film with a certain level of expectation. They want what they are seeing to make sense.

Anime has it’s own rules in that it has no rules. Very often times certain plot points, physics, and general progression do not make sense. Anime is like a fever dream and, generally, it tries to appeal more to a person’s emotions rather than their intellect. Or, at least that’s been my experience.

Going back to adapting Death Note, I noticed something rather peculiar about this film. That being the farther they got from the original source material, the better the movie became.

Not good. Just…better.

I’m not talking about Light being your stereotypical bullied kid or the weird stylistic feel this film has, or whatever the hell happened to L.

I mean when they focused more on the psychology of the person wielding the Death Note. As someone who really enjoyed Death Note when it first came out and spent hours in bookstores reading the manga, what held my interest wasn’t Light’s character, it was the game of cat-and-mouse between him and L.

I don’t dislike Light as a character there just…isn’t much to him outside of being Kira. He was never your average kid. He was a super genius that was bored with his life because he was so much better than everyone at everything.

I know I’ll aggravate a lot of people by saying this but…he was essentially an Evil Gary-Stu.

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With the Light for Netflix’s Death Note, we were able to see how the Death Note could affect a normal, down-to-earth person. Rather than see him go from being a bored genius to Wrathful Death God in 2.4 seconds, we actually saw some character progression.

It isn’t until the final leg of the movie that he truly turns into the evil genius puppet master that we all know and love.

I have to say that when the focus was on the power struggle between Light and his girlfriend Mia (Misa in the manga/anime), it was actually pretty interesting.

Rather than being a total air-headed bimbo like she has been in other incarnations, Misa is the instigator. She’s the one that constantly manipulates Light and tries to make him go further and further. Considering how annoying I always found Misa, I thought this was a welcome change. They work off of each other rather than Mia just being a pawn in Light’s game.

That being said, they should have scrapped the idea of making this an adaptation of the original Death Note. What they should have done was create this in the world of Death Note following the fall of Kira. Don’t toy with the characters from the original anime. Just get a cast of all new characters. Hell, you changed them so their bordering on unrecognizable anyway. Might as well go that extra step.

We would be able to forgo the annoying white-washing aspect of this as well.

The concept of the Death Note is a fascinating one and it could work outside of Light’s story arc. Like I said, I personally find it far more interesting to see how a normal teenager, one whose sense of justice is underdeveloped due to his age, would react to being given ultimate power.

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What are the ethical implications of killing criminals? How does having that level of power effect a normal individual?

Here’s how I would have written it if I had been given the script:

A normal, albeit troubled, teenage boy stumbles across a Death Note and discovers, through the power of experimentation, that he is able to control when and how people die. The rules are self-explanatory and written down in the book so he doesn’t need a Death God explaining to him how it goes.

The police are growing a bit suspicious about the deaths, but only one detective in particular seems to believe the deaths are actually linked.

In the meantime the MC’s confidence in himself begins to grown and he is able to win the heart of one of his classmates. Through their courtship, he learns that she has been the victim of a crime and he decides to give her the option of taking the perpetrator’s life.

She uses the Death Note and she is able to witness herself how the instrument of death works. They decide from that point forward that they will work together in order to make the world a better place. They begin slow, but inevitably events snowball. The pair become bolder in their actions and the police are made aware that something is amiss and are able to link it to a series of murders that took place in Japan years ago.

The game becomes all the more intricate and the couple find themselves doing things such as killing innocents and engaging in other illegal activities in order to continue on being gods of what they hope to be their brave new world.

That’s just one idea. There’s really a ton of things you could do with the concept of a Death Note.

So..no..this was not a good movie. Not by a long shot. Nevertheless, I didn’t hate it as much as I expected to.

It’s like Kenny Rogers said “the secret is knowing what to throw away and knowing what to keep.”

And, unfortunately, the team behind this flop didn’t seem to know either of these things.

Why I’m Disappointed By Neil Gaiman’s “Trigger Warning”

Perhaps I’m just whingeing over semantics here, but I had to get this off my chest.

When I purchased the audiobook for Neil Gaiman’s book on short stories I was very excited. Not only am I a fan of Gaiman’s writing, I am also a big fan of his narration. His dulcet tones and faint English accent make him a perfect narrator.

I was preparing myself for another boring day of organizing charts upstairs at the dermatology clinic where I worked and I needed something to listen to in order to keep the monotony from reducing my brain to yogurt.

So I placed the charts on a table, plugged in my earbuds, and I began to listen.

Gaiman gave a perfect introduction into this collection, explaining how he’d come to discover the term “trigger warning.” He conceded that, while trigger warnings may be well intentioned, sometimes we need to read things that make us uncomfortable, that force us to ponder imponderable things, see the world in darker hues.

He warned us readers (or listeners in this case) that what we were about to read would likely disturb us.

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I listened for several hours, nearly finishing the book in it’s entirety during a single shift. It was interesting, imaginative, captivating, visceral, everything a book should be. However, there is one thing that it was not: triggering.

I loved the stories, loved the narration, but I kept listening with a growing sense of expectation. Is this the story that’s going to trigger me? Is this the story that’s going to challenge my preconceptions about life and put me on a 2001: A Space Odyssey styled journey to self-discovery?

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The answer to that would be a nope.

Again, I loved the stories, in fact I consider this the best short-story collection I’ve ever read.

But with a title like Trigger Warning you expect something a little more…triggering. That’s not to say they weren’t disturbing. There are stories with murder, revenge, cannibalism, monsters, stalking, etc. They’re horrifying and dark with lovely twists and turns, but nothing I wasn’t expecting from something written by Gaiman.

And they were not what I was advertised.

Now, it’s not Gaiman’s responsibility to make sure that I, specifically, have all of my desires met. He is perfectly entitled to write what he wants and I believe he he does an excellent job of it.

However, let me explain why I was a bit disappointed.

There has, I think, been a shortage of books and stories in recent years that truly push the envelope. Books and stories that challenge ideas and behaviors that we see routinely in our day-to-day lives.

In our new easily-offended world there are any number of taboo subjects that deserve to be explored, but it would seem as if  no one has the nerve to tackle them in a literary capacity in a long while, lest someone get their grandma panties in a wad.

I was hoping that Gaiman, in his uniquely stylized way, would touch upon such subjects or, at least, ignore the restraints that these perpetually offended people insist writers use. Nonetheless, there wasn’t much in his book that would truly “trigger” someone, provided that person doesn’t live in a perpetual state of duress.

I just wanted something a little more challenging. I wanted Gaiman to approach the likes of Lovecraft or King and throw down the gauntlet, saying, “No, gentlemen, this is scary.”

I’ve read a handful of the Sandman comics, I know what he’s capable of.

I only wish he’d gone balls-to-the-walls the way he did with that series.

Or Coraline.

Now that would have been truly triggering.

Thoughts on the “IT” 2017 Trailer

I am going to tell you something I wasn’t sure I would ever admit on this blog…..

A secret that I have been keeping under wraps for fear of being ostracized by the literary community.

*takes a breath*

I don’t like Stephen King novels.

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I know, I’m sorry. It’s not for want of trying. I’ve made the attempt to read several of his works in the past, but the only one I’ve been able to complete in its entirety is Carrie.

I think his writing style is excellent. His manner of describing things is very visceral and it’s easy for a person to feel as if they are standing right there beside the character, going through the same experience that they are.

It’s the stories themselves that don’t make a lot of sense. Reading King, for me, is a lot like doing drugs or alcohol. Everything you do makes sense while on these substances, but once you get off them you start to question what you could have possibly been thinking. Like how in the novel It, Beverly had to sleep with every boy in the group to protect them from the clown because….reasons…

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I just don’t think King is my thing. If you enjoy his work, good for you.

Regardless, I did watch the TV mini-series It when I was a kid and it scared the bejesus out of me. My best friend and I had to watch it while talking on the phone to draw strength from one another so we could watch the whole thing.

In hindsight, however, this movie is laughably awful. Especially after watching the Nostalgia Critic review of it. If you haven’t seen it already, I highly recommend it. No pun intended.

Nonetheless, upon seeing the trailer for the remake, I was pleasantly surprised.

It was genuinely eerie and atmospheric. Not to mention, it seems more grounded in reality than the original movie….

That is…until Pennywise shows up.

A lot of people are complaining that he doesn’t look like the way the novel described. I’m complaining because it seems as if the scares are meant solely for people who are scared of clowns. I am not afraid of clowns (in spite of King’s best efforts to scar my childhood) so it doesn’t do much for me.

But I think I may actually give this film a watch because it appears like they’re going for a Stranger Things-isque approach to the story. Rather than having them switch back and forth from adulthood to childhood, they’re telling the story solely from the perspective of the characters as children. Personally, I thought the adults were the weakest part of that movie, so I’m happy they are going with this instead.

I’m also glad they are keeping the 80s vibe in leu of pushing it to modern times. They are most likely, again, trying to cash in on the Stranger Things craze, but I’m personally fine with that. It just feels right to have it set in this time period. If something like this happened in 2017, it would probably be a bunch of kids trying to film the clown on their iPhones to become internet famous. Not to mention today’s helicopter-parents would never allow children to play outside by themselves when there’s clearly a murderer on the loose.

Overall this movie looks miles better than the original.

I don’t think it’ll be a cinematic masterpiece by any means, nevertheless, I think it should be given a chance.

Who knows? Maybe this will be the one that makes balloons scary.

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Unpopular Opinion: Censorship and “Offensive”Bookstagram Pictures

I don’t consider myself a controversial person, nor do I try to stir the pot when I see a problem brewing. However, it’s becoming progressively more difficult to stay quiet on certain issues, particularly issues involving censorship.

Today I was exploring Bookstagram when I came across a picture from one of the content creators I follow. In this photo advertising the book “Carve The Mark” the photographer painted her arm twilight blue and golden slash marks on her forearm.

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Wow. That’s a lot of dedication, I thought.

I proceeded to scroll on.

Later, I discovered the same photograph covered in white text reading “TRIGGER WARNING TRIGGER WARNING TRIGGER WARNING.” Curious, I investigated to find a crap storm of biblical proportions.

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Apparently many people were complaining that this photograph promoted self-harm and that the photographer should take it down immediately or else they would file a formal complaint. The content creator explained that it was just art and she hadn’t meant any harm by it (she suffers from depression herself). Nevertheless, commentators were not appeased and continued to espouse PC rhetoric about how this could trigger someone or that this was somehow romanticizing cutting.

I’m not in the business of offending people, but I am in the business of creating and defending others that choose the arts as their vocation.

As such I have to say I’m getting tired of this cultural elitism that demands artists change their message or content because someone somewhere might be offended by it. Art has many interpretations and just because you interpreted something a certain way doesn’t give you the right to say something needs to be taken down. What gets me is most of the people that rushed to their keyboards don’t even have depression. They are becoming offended on another person’s behalf.

“What if someone with depression saw this and it triggered them?!”

“What if someone who self-harms saw this?!” 

I don’t know. What if aliens saw Keeping Up With The Kardashians and decided they didn’t want to make first contact anymore? Are we really going to crucify someone based on a hypothetical?

In their quest to come to depressed peoples’ aid they verbally attacked a person with actual depression for posting a picture they didn’t like.

Don’t misunderstand. I am not dissuading criticism. I think critique is perfectly fine. The problem occurs when someone tries to shut a person up or hurl vulgar abuse at them rather than have an intelligent discussion on the subject.

My problem, first and foremost, is with censorship. People being offended by everything is a close second, but censorship is by far the most important issue.

Anyone with any creative background should support another person’s right to make art. It’s as simple as that.

If you don’t like someone’s work, don’t follow that person. Don’t give them your money. Don’t give them your time.

You are not the definitive voice on what is and is not offensive. You don’t have the right to try to de-platform someone just because you don’t agree with their views or what they have created.

Opinion: Peter Capaldi is Leaving Doctor Who and That’s a Good Thing

As crappy as it is that Peter didn’t get a fair shake at being The Doctor, this decision to leave is for the show’s benefit.

Doctor Who has been in dire need of a direction change for years now and I think it would really benefit from a clean slate. Many people are complaining that ageism is somehow responsible. That the reason people haven’t been tuning in is because Capaldi is an older gentlemen and not a handsome hero like Tennant or Smith.

“Go back to your Twilight fanfictions!” they cry.

However, it’s pretty clear that’s not the case. The reason I don’t care about the show anymore isn’t because the actor playing The Doctor is older. I don’t care about the show anymore because The 12th Doctor is…kind of annoying. Sometimes he can be funny and, in rare moments, charming. But his character went from being this dark, almost Valeyardish Doctor to just being a grumpy curmudgeon that wants everyone to get off of his lawn.

I really wanted to see how dark The Doctor could be, but it seems like the writers were too scared to go all in. To make matters worse, the humor they used for Capaldi’s Doctor just…didn’t work. It’s like Steven was still trying to write lines for the 11th Doctor. It was cringey. Seriously cringey.

Also his character hasn’t really gone through a compelling metamorphosis like The Doctors past. He just essentially became another character entirely with no hint of natural progression.

Capaldi’s a good actor, but a good actor can only do so much. If a line sucks, a line sucks. It doesn’t matter how much passion you put behind it.

If I had to sum up Capaldi’s tenure as The Doctor, I would say “wasted opportunity.” And that’s if I were being charitable. If I wasn’t, I would call it….well…”dull.” There were moments where I thought this Doctor was beginning to come into his own, but then he would almost immediately retreat back into his veneer of grumpiness.

I don’t wish Capaldi any ill will and I don’t blame him for the show’s downfall. However, I think his leaving is best for the show.

Here’s to hoping Chibnall can give Doctor Who the kiss of life and make it the hearts-stopping, family show that it used to be.

Fingers crossed.

You Are The Ranting Queen

I’ve noticed something a bit startling about myself: I am prone to ranting.

However, I like to think of my rants as well-constructed and justified. More often than not, they spawn from a place of righteous indignation about things of no real consequence. Most of my rants revolve around terrible writing in the plethora of mediums I consume, or books that have let me down as of late because, hey, that’s my area of expertise.

I enjoy writing about things that make me miffed, but it may give people the wrong idea about me.

I am not an angry person. I do have things that make me happy. It’s just easier to go on lengthy diatribes about things that irk me.

All of my friends know this. They even have a look they give each other when they realize they’re in for another trademark Rachael Rant.

It’s what a person must look like after they think they’ve found a metal egg in their backyard only to realize it is actually a hand grenade and the pin just fell out.

Or when you accidentally send a nude to your boss.

Which has never happened to me.

As far as you know.

My friends will try to appease me with a sacrifice, usually a goat, or wine poured in libation, but with very limited success.

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The only true way to stop a Rachael Rant is to hand me the cup of wine and let me drink my fill until I’ve forgotten what I’ve been saying and just start belting out Disney songs or other show tunes.

If wine is unavailable, just prepare the same way you would a nuclear holocaust: hide under a desk and weep bitterly until oblivion wraps its cold arms around you in a suffocating embrace.

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My friends to people who have never experienced my wrath

While my friends, acquaintances, family and others in real life are likely to feel the brunt of my self-indulgent ire when it comes to politics and other such subjects, fear not, fair reader. For the sake of this blog, I will stick to giving my opinion on matters of fiction and the written world only….mostly.

God knows we have enough temperamental millennials with blogs blithering on about other things.

Oh, and don’t get me started on….

Crap.

Run.

RUN!!!!

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I Can’t Social Media: A Writer’s Quandary

Writers are told more and more these days that they should have a strong presence online. They should branch out through any means possible; stamp their name on as many social media websites as they can.

However, I have been very remiss in this department. Disgracefully so, I would say.

I love writing for my blog, but I just don’t have the heart for Twitter, Snapchat, Bookface, etc.

For a while, I was gaining a steady Twitter following, but I stopped tweeting once I realized just how annoying it is for a multitude of reasons. For one, I’m not politically minded so I don’t care to tweet about politics. I’m not that funny either (dammit, my secret is discovered!) so I spent a majority of my time trying to think of something humorous to say when I couldn’t think of anything. I’m also allergic to platitudes so I don’t want to post generic life-advice either.

For another thing, I’m just not interested in being bombarded with other people’s opinions 24/7 about politics, religion, the latest social outrage, and so on.

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My reaction after a visit to most social media sites.

Not you guys. You guys are cool. It’s everyone else’s opinions that can be annoying. At least in excess.

I found social media was often a distraction from what I was really wanting to do. You know, write. I was trying to do these things for my writing’s sake when, in reality, it was directly interfering with it.

It clouded my ability to walk through the park or enjoy a sunset without worrying how it would look on my wall. I was more concerned about crafting a humous, yet not offensive post that I realized two hours had passed and I still hadn’t finished that chapter. Keeping up with all the accounts was harder than trying to keep a Tamagotchi alive.

It reminded me of my trip to the UK and how everyone seemed more interested in having an interesting Snapchat story than relishing in the fact that they were in frigging Europe (before you say anything, this was before the Brexit vote so, technically, they were in the EU). I took a crap load of photos too, but I tried to learn when to put the camera down and actually enjoy life.

I am amazed that so many writers can post a million things on Instagram, Snapchat, Twitter, and Facebook and still be able to publish a full-length novel by the end of the year. Some of them while working other jobs. I observe from the sidelines like “How do?”

Hell, I’m a writer. I don’t even know what I would take a picture of. Oh, look, here’s my desk. Here’s a pen. Here’s a book. Here’s a manuscript I promised I would finish by the time I graduate and haven’t touched in two years. Perhaps I require a social media consultant. A Henry Higgins-like figure who will shape me from a socially awkward pariah into something palatable for the masses.

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I don’t hold out much hope though.

Although I may get an Instagram.

Oh, wouldn’t that be loverly?